没有蒸汽的蒸汽朋克:作为新奥斯曼帝国实验的《设备之书》

IF 0.3 4区 文学 0 LITERATURE
Emrah Peksoy
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引用次数: 0

摘要

土耳其作家伊赫桑·奥克塔伊·阿纳尔的《装置之书》(2017,Kitab- yi Hiyel)在前现代奥斯曼帝国的背景下采用了伪蒸汽朋克的特征。这部小说尝试了蒸汽朋克作为一种翻译/采用的文化元素在更大的世界文学概念中扩展的可能性。我认为《设备之书》扭曲了英美人对以蒸汽朋克为代表的新维多利亚主义的态度。阿纳尔(Anar)在描绘历史事件的真实过程、描绘一种可能奏效的想象技术以及形成非殖民主义文化背景方面的能力,创造了一个扭曲的蒸汽朋克类型在土耳其背景下应用的例子。然后,这本书试图创造一种新奥斯曼思维模式,以对抗蒸汽朋克所反映的新维多利亚时代的扩张。通过这种方式,尽管蒸汽朋克以“不好客”的姿态出现,因为它抵制来自非欧洲实验的外来入侵,但阿纳尔成功地将其与现代土耳其文学融合在一起,建立了一种当地的流派。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Steampunk without steam: The Book of Devices as Neo-Ottoman experimentation
ABSTRACT Turkish author Ihsan Oktay Anar’s The Book of Devices (2017, Kitab-ı Hiyel) employs pseudo-steampunk characteristics in a pre-modern Ottoman context. The novel experiments with the possibility of steampunk’s expansion as a translated/adopted cultural element within the larger concept of world literature. I argue that The Book of Devices distorts the Anglo-American attitude of Neo-Victorianism as exemplified in steampunk. Anar’s (in)competence in depicting actual course of events in history, in portraying an imaginable technology that might work, and in forming a non-colonialist cultural background create a distorted example of an application of the steampunk genre in the Turkish setting. The book then comes to be an attempt to create a Neo-Ottoman mindset against Neo-Victorian expansion as reflected through steampunk. This way, though steampunk presents itself as “inhospitable” in that it resists outside intrusion from non-European experiments, Anar successfully merges it with modern Turkish literature to establish a local genre.
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CiteScore
0.30
自引率
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发文量
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