结构现实与建筑编辑:悉尼歌剧院的四根隐形柱子

IF 0.2 4区 艺术学 0 ARCHITECTURE
Paolo Tombesi, P. Stracchi, L. Cardellicchio
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引用次数: 0

摘要

在现代建筑的争论中,建筑是由它们在文献中的描述构成的,正如它们是由它们的建造现实所定义的一样。在这一点上,在悉尼歌剧院屋顶的庆祝叙述中有一个相对较小的小故障——四根柱子没有出现在建筑的描述中——提供了一个反思建筑经典的产生的机会,也许是通过抽象其建筑工程来提升主题的感知需求。在质疑建筑传记中没有柱子的原因的同时,文章阐明了在项目历史中拥抱更小细节的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Structural reality and architectural editing: the four invisible columns of the Sydney Opera House
In modern architectural debate, buildings are made by their description in the literature as much as they are defined by the reality of their construction. On this point, a relatively small glitch in the celebratory narrative of the roof of the Sydney Opera House – four columns that do not appear in the descriptions of the building – offers the opportunity to reflect on the generation of architecture’s canons and perhaps the perceived need to elevate the subject matter by abstracting the engineering of its construction. While questioning the reasons for the absence of the columns from the biographies of the building, the article articulates the value of embracing even the smaller details in projects' histories.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
21
期刊介绍: Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.
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