种族化的可能性:奈飞《酷儿之眼》中有色酷儿对日本性的交叉批判:我们在日本!

IF 1.4 Q2 COMMUNICATION

Journal of International and Intercultural Communication Pub Date : 2020-10-15 DOI:10.1080/17513057.2020.1829675

Shinsuke Eguchi, Keisuke Kimura

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引用次数: 5

摘要

本文探讨了《酷儿眼:我们在日本!》这代表了日本性的概念。更确切地说，这篇文章关注的是《酷儿眼:我们在日本!》重新诠释了美国的例外主义，而Fab Five则对四位日本提名者(S1E1-S1E4)进行了改造。然而，这篇文章也探讨了酷儿眼的可能性:我们在日本!违反了性别、性和身体的问题。在这样做的过程中，我们将一种交叉的有色酷儿批评作为我们的分析，以干预美国自由资本主义的逻辑，这种逻辑在全球化的历史连续体中循环着同性恋民族主义的爱国想象。总体目标是批评《酷儿眼》:我们在日本!展示了日本性的各种可能性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Racialized im/possibilities: Intersectional queer-of-color critique on Japaneseness in Netflix’s Queer Eye: We’re in Japan!

ABSTRACT This essay examines im/possibilities of Queer Eye: We’re in Japan! that represents the concept of Japaneseness. More precisely, this essay is concerned with how Queer Eye: We’re in Japan! reinserts U.S. exceptionalism while the Fab Five perform the makeovers of the four Japanese nominees (S1E1–S1E4). However, this essay also examines possibilities of Queer Eye: We’re in Japan! that transgress issues of gender, sexuality, and the body. In so doing, we orient an intersectional queer-of-color critique as our analytic to intervene the logic of American liberal capitalism that circulates the patriotic imaginaries of homonationalism in the historical continuum of globalization. The overall goal is to critique Queer Eye: We’re in Japan! that showcases im/possibilities of Japaneseness.

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来源期刊

Journal of International and Intercultural Communication COMMUNICATION-

CiteScore

3.80

自引率

12.50%

发文量