IF 0.2 0 ART
Art Documentation Pub Date : 2018-03-01 DOI:10.1086/697273
P. Baker
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引用次数: 0

摘要

2015年,艺术史学家Sally Stein为纪念她的丈夫Allan Sekula(1951-2013),将Allan Sekula图书馆赠予克拉克艺术学院。Sekula是一位国际知名的艺术家、摄影师、电影制作人和作家,也是公认的公共知识分子、敏锐的艺术评论家和批判理论家。他也因社会评论、批评和行动主义而闻名,这些影响了他的生活和工作。本文考虑了Allan Sekula图书馆中漫画和图画小说标题的代表性样本,并提供了现在由盖蒂研究所持有的Allan Sekula档案中的补充材料的分析。从早期作品中工人的黑暗英雄主义——贾科莫·帕特里和弗兰斯·马塞里尔的无文字作品,到罗伯特·克拉姆和s·克莱·威尔逊的粗俗断音布祖基和私人作品,作者研究了艾伦·塞库拉在他的物理装置、电影、散文和教学中作为主题和“兴趣对象”的漫画、漫画和图形材料。[本文是2017年2月在路易斯安那州新奥尔良举行的ARLIS/NA会议“如何开发漫画书和图形小说收藏”会议上发表的一篇论文的修订版。]
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bouzouki Music: Allan Sekula and the Comics
In 2015, art historian Sally Stein made the gift of the Allan Sekula Library to the Clark Art Institute in memory of her husband Allan Sekula (1951–2013). An internationally known artist, photographer, filmmaker, and writer, Sekula is recognized as a public intellectual, trenchant art critic, and critical theorist. He is also known for the social commentary, criticism, and activism that informed his life and work. This article considers a representative sample of comic and graphic novel titles found in the Allan Sekula Library and provides an analysis of complementary materials in the Allan Sekula Archive now held by the Getty Research Institute. From the dark heroism of the worker in the early books-without-words of Giacomo Patri and Frans Masereel to the vulgar staccato bouzouki and priapic productions of Robert Crumb and S. Clay Wilson, the author examines the comic, manga, and graphic materials used by Allan Sekula as both subject and “object of interest” in his physical installations, films, essays, and teaching. [This article is a revision of a paper presented at the “How to Develop a Comic Book and Graphic Novel Collection” session at the ARLIS/NA conference held in New Orleans, Louisiana, in February 2017.]
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