{"title":"葡萄牙里斯本唐约瑟一世纪念碑的保护与修复。第一部分:石材组件","authors":"J. Delgado Rodrigues, A. E. Charola, F. Henriques","doi":"10.1515/rbm-2016-1234","DOIUrl":null,"url":null,"abstract":"Abstract The equestrian statue of D. José I, in Lisbon, Portugal, stands on an elegant and decorated plinth fashioned in a very dense limestone. The sculptor, Joaquim Machado de Castro, designed the pedestal with colossal stone pieces and selected one of the best Portuguese stones for this purpose, the Lioz limestone. The same stone was also used for the flanking sculpture groups and the base This stone is a very pure reef limestone, rich in fossils and a low porosity <1 %. It is extremely compact and highly resistant, even in the harsh environment of a busy metropolis and within the impact of marine winds. The generalized deterioration is surface erosion caused by direct runoff water, with some incipient black crusts and soiling incrustations occurring in sheltered places. In some areas copper stains originating from the metal statue were also found. An extensive network of cracks was found, mostly at or near the top of the plinth, which could be ascribed to the presence of iron rods and clamps left inside the structure to hold the stone pieces together. During the intervention, these cracks were sealed with a multi-barrier system, given the impossibility to access the interior to remove or directly passivate the iron inclusions. Inoperative joints were cleaned out and repointed. Black deposits could be eliminated by nebulized water and soft brushing while the copper stains required the application of poultices with ammonium carbonate, in some cases requiring the addition of a complexing agent.","PeriodicalId":20957,"journal":{"name":"Restoration of Buildings and Monuments","volume":"101 1","pages":"75 - 80"},"PeriodicalIF":0.0000,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Conservation and Restoration of the Don José I Monument in Lisbon, Portugal. Part I: Stone Components\",\"authors\":\"J. Delgado Rodrigues, A. E. Charola, F. Henriques\",\"doi\":\"10.1515/rbm-2016-1234\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The equestrian statue of D. José I, in Lisbon, Portugal, stands on an elegant and decorated plinth fashioned in a very dense limestone. The sculptor, Joaquim Machado de Castro, designed the pedestal with colossal stone pieces and selected one of the best Portuguese stones for this purpose, the Lioz limestone. The same stone was also used for the flanking sculpture groups and the base This stone is a very pure reef limestone, rich in fossils and a low porosity <1 %. It is extremely compact and highly resistant, even in the harsh environment of a busy metropolis and within the impact of marine winds. The generalized deterioration is surface erosion caused by direct runoff water, with some incipient black crusts and soiling incrustations occurring in sheltered places. In some areas copper stains originating from the metal statue were also found. An extensive network of cracks was found, mostly at or near the top of the plinth, which could be ascribed to the presence of iron rods and clamps left inside the structure to hold the stone pieces together. During the intervention, these cracks were sealed with a multi-barrier system, given the impossibility to access the interior to remove or directly passivate the iron inclusions. Inoperative joints were cleaned out and repointed. Black deposits could be eliminated by nebulized water and soft brushing while the copper stains required the application of poultices with ammonium carbonate, in some cases requiring the addition of a complexing agent.\",\"PeriodicalId\":20957,\"journal\":{\"name\":\"Restoration of Buildings and Monuments\",\"volume\":\"101 1\",\"pages\":\"75 - 80\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Restoration of Buildings and Monuments\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/rbm-2016-1234\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Restoration of Buildings and Monuments","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/rbm-2016-1234","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
在葡萄牙的里斯本,约瑟一世的马术雕像矗立在一个由非常致密的石灰石制成的优雅装饰的底座上。雕刻家Joaquim Machado de Castro用巨大的石块设计了底座,并为此选择了葡萄牙最好的石头之一——廖兹石灰石。侧翼的雕塑群和基座也使用了同样的石头,这种石头是一种非常纯净的礁灰岩,富含化石,孔隙率< 1%。即使在繁忙的大都市的恶劣环境和海风的影响下,它也是非常紧凑和高度抵抗的。广义的恶化是由直接径流引起的地表侵蚀,在有遮蔽的地方出现了一些早期的黑色结壳和污染结壳。在一些地区还发现了来自金属雕像的铜渍。发现了一个广泛的裂缝网络,主要是在基座的顶部或附近,这可能是由于在结构内部留下了铁棒和夹子来将石头碎片固定在一起。在修井过程中,由于无法进入内部去除或直接钝化铁夹杂物,这些裂缝被多屏障系统密封。切除无效关节并复位。黑色沉积物可以通过雾化水和软刷消除,而铜渍需要使用含有碳酸铵的药膏,在某些情况下需要添加络合剂。
Conservation and Restoration of the Don José I Monument in Lisbon, Portugal. Part I: Stone Components
Abstract The equestrian statue of D. José I, in Lisbon, Portugal, stands on an elegant and decorated plinth fashioned in a very dense limestone. The sculptor, Joaquim Machado de Castro, designed the pedestal with colossal stone pieces and selected one of the best Portuguese stones for this purpose, the Lioz limestone. The same stone was also used for the flanking sculpture groups and the base This stone is a very pure reef limestone, rich in fossils and a low porosity <1 %. It is extremely compact and highly resistant, even in the harsh environment of a busy metropolis and within the impact of marine winds. The generalized deterioration is surface erosion caused by direct runoff water, with some incipient black crusts and soiling incrustations occurring in sheltered places. In some areas copper stains originating from the metal statue were also found. An extensive network of cracks was found, mostly at or near the top of the plinth, which could be ascribed to the presence of iron rods and clamps left inside the structure to hold the stone pieces together. During the intervention, these cracks were sealed with a multi-barrier system, given the impossibility to access the interior to remove or directly passivate the iron inclusions. Inoperative joints were cleaned out and repointed. Black deposits could be eliminated by nebulized water and soft brushing while the copper stains required the application of poultices with ammonium carbonate, in some cases requiring the addition of a complexing agent.