引用魔鬼:定义莎士比亚的墓志铭

IF 0.2 2区 文学 N/A LITERATURE
ELH Pub Date : 2022-12-01 DOI:10.1353/elh.2022.0030
Katherine E. Blake
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引用次数: 0

摘要

摘要:莎翁墓志铭写作的新研究揭示了莎翁墓志铭写作的大量实验实例,本文通过这些研究来论证莎翁墓志铭构成了一个独特的亚体裁。这表明,人们对莎士比亚墓志铭的研究一直不足,因为直到最近,人们才对埋葬的社会范式进行了充分的探索。通过对其中三篇墓志铭的仔细解读,以及泰图斯·安多洛尼克斯的墓葬场景,揭示了莎士比亚的墓志铭是如何以一种被菲利普·阿里乌斯称为“反墓志铭”的讽刺方式,独特地处理了墓地的赞美、记忆和社会意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quoting the Devil: Defining the Shakespearean Epitaph
Abstract:New work has revealed numerous examples of experimentation with epitaphic writing Shakespeare, and this article draws on that research to argue that Shakespearean epitaph constitutes a distinct sub-genre. It shows that the epitaphs attributed to Shakespeare have been understudied because the social paradigms of burial that inform them were underexplored until recently. It closely reads three of the epitaphs together with the tomb scene of Titus Andronicus to reveal how Shakespearean epitaph uniquely approaches encomium, memory, and the social significance of the gravesite through satirical takes on a form Phillipe Ariès termed "antiepitaph."
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来源期刊
ELH
ELH LITERATURE-
CiteScore
0.60
自引率
0.00%
发文量
30
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