乌克兰声乐舞台:表演方面

IF 0.7 Q3 MULTIDISCIPLINARY SCIENCES
Oleksandra Loktіonova-Oitsius, T. Medvid, N. Tereshenko, L. Androshchuk, S. Tochkova
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引用次数: 0

摘要

这篇文章致力于探讨这个舞台在形成现代文化背景和建立艺术、社会和国家之间对话方面的发展和作用。揭示了该阶段在当代信息传播空间中的主要发展趋势和功能偏好,并对其结构和体裁的变化进行了追溯。随着获得“独立”国家的地位,乌克兰阶段开始制度化。如果说,在此之前,它起到的是对民族被低估的被压迫情结的补偿作用,那么,从获得独立开始,它就成为了一种独立的文化现象。分化同时发生在几个层次上。最重要的是类型和风格。乌克兰舞台分为流行、民谣和摇滚三个层次。乌克兰流行音乐运作的一个重要因素是流行艺术产业这种现象的出现。当代音乐趋势的饱和程度与投资金额有关。因此,音乐艺术变得依赖于国家经济的总体趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
UKRAINIAN VOCAL STAGE: PERFORMING ASPECT
The article is devoted to the development and role of the stage in forming the cultural background of the modern era and establishing a dialogue between art, society, and the state. The main tendencies of development and functional preferences of the stage in the contemporary information and communication space are revealed, its structural and genre modifications are traced. With the receipt of the status of an "independent" country, the Ukrainian stage begins to institutionalize. If, until that time, it played the role of compensation for the oppressed complex of ethnic underestimation, then from the time of gaining independence, it has become an independent cultural phenomenon. Differentiation occurs at several levels at once. The most important thing is genre and style. Ukrainian stage is divided into popular, folk, and rock levels. An essential factor in the functioning of Ukrainian pop music is the emergence of such a phenomenon as the pop art industry. The saturation of contemporary music trends correlates with the amount of investment. Accordingly, the art of music becomes dependent on general trends in the country's economy.
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来源期刊
AD ALTA-Journal of Interdisciplinary Research
AD ALTA-Journal of Interdisciplinary Research MULTIDISCIPLINARY SCIENCES-
自引率
71.40%
发文量
12
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