{"title":"加缪《陌生人》与库切《耻辱》的挑衅性陌生感","authors":"Phyllis van Slyck","doi":"10.1353/mfs.2021.0036","DOIUrl":null,"url":null,"abstract":"Abstract:Albert Camus’s L’Etranger and J. M. Coetzee’s Disgrace are two of the most controversial novels of the twentieth century. In each text, a white male protagonist engages in a violent encounter with an individual identified as Other. In different ways, the protagonists are put on trial, yet neither expresses remorse. Why are these novels, with their provocative characters, so fascinating for twentieth and twenty-first-century readers? Meursault and Lurie initially arouse discomfort by appearing to divest others of their alterity, but they come to recognize and ultimately preserve the otherness of the characters with whom they are involved.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Provocative Strangeness of Camus’s L’Etranger and Coetzee’s Disgrace\",\"authors\":\"Phyllis van Slyck\",\"doi\":\"10.1353/mfs.2021.0036\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Albert Camus’s L’Etranger and J. M. Coetzee’s Disgrace are two of the most controversial novels of the twentieth century. In each text, a white male protagonist engages in a violent encounter with an individual identified as Other. In different ways, the protagonists are put on trial, yet neither expresses remorse. Why are these novels, with their provocative characters, so fascinating for twentieth and twenty-first-century readers? Meursault and Lurie initially arouse discomfort by appearing to divest others of their alterity, but they come to recognize and ultimately preserve the otherness of the characters with whom they are involved.\",\"PeriodicalId\":45576,\"journal\":{\"name\":\"MFS-Modern Fiction Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-12-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MFS-Modern Fiction Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mfs.2021.0036\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MFS-Modern Fiction Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mfs.2021.0036","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The Provocative Strangeness of Camus’s L’Etranger and Coetzee’s Disgrace
Abstract:Albert Camus’s L’Etranger and J. M. Coetzee’s Disgrace are two of the most controversial novels of the twentieth century. In each text, a white male protagonist engages in a violent encounter with an individual identified as Other. In different ways, the protagonists are put on trial, yet neither expresses remorse. Why are these novels, with their provocative characters, so fascinating for twentieth and twenty-first-century readers? Meursault and Lurie initially arouse discomfort by appearing to divest others of their alterity, but they come to recognize and ultimately preserve the otherness of the characters with whom they are involved.
期刊介绍:
Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.