青年流行文化中的混合“真实性”:南非Sho Madjozi作品中的表演服装和身份

IF 1.3 Q2 ANTHROPOLOGY
Owen Seda, M. S. Manyeneng
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Hybrid ‘Authenticities’ in youth popular culture: performing costume and identity in the work of South Africa’s Sho Madjozi
The professional stage act of one of South Africa’s newest musical prodigies, Sho Madjozi, may be analysed as a quintessential Afropolitan example of the innovative and hybrid combination of music, costume, and dance in urban youth popular culture in Africa. This paper analyses the dynamic intersection between costume, music, and dance, presenting it as a crucial site where urban youth popular culture can reimagine tradition, while simultaneously demonstrating that contemporary African cultural identities exist in a constant state of flux. The paper borrows from scholarly insights on hybridity, identity, the Afropolitan and popular culture, as well as other writings in youth agency and popular culture, to argue that South Africa’s Sho Madjozi belongs with a tradition of contemporary urban youth performance culture that continuously resurrects and destabilises elements of the past as it reimagines the future. Sho Madjozi’s unique style as a rap artist in Tsonga is presented as an illustration of the progressive role that contemporary urban youths in Africa can play as proponents of cultural preservation, even as they stand at the cross-roads between the old and the new.
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来源期刊
Critical African Studies
Critical African Studies Arts and Humanities-Arts and Humanities (all)
CiteScore
3.00
自引率
0.00%
发文量
19
期刊介绍: Critical African Studies seeks to return Africanist scholarship to the heart of theoretical innovation within each of its constituent disciplines, including Anthropology, Political Science, Sociology, History, Law and Economics. We offer authors a more flexible publishing platform than other journals, allowing them greater space to develop empirical discussions alongside theoretical and conceptual engagements. We aim to publish scholarly articles that offer both innovative empirical contributions, grounded in original fieldwork, and also innovative theoretical engagements. This speaks to our broader intention to promote the deployment of thorough empirical work for the purposes of sophisticated theoretical innovation. We invite contributions that meet the aims of the journal, including special issue proposals that offer fresh empirical and theoretical insights into African Studies debates.
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