少数民族形式主义、审美观念与庄华的交叉

IF 0.5 3区文学 0 LITERATURE

MFS-Modern Fiction Studies Pub Date : 2021-12-09 DOI:10.1353/mfs.2021.0037

Sue-Im Lee

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引用次数: 0

摘要

摘要:本文结合艺术哲学、阿多诺的美学理论和亚裔美国文学研究，表明美学概念——描述文本的感官、感性属性的术语——对于少数形式主义和少数审美概念的理论化至关重要。本文运用阿多诺的实质形式主义理论分析了一部不知名的亚裔美国小说《穿越》(1968)，表明不透明、非线性、碎片化、不和谐或不和谐等术语不仅仅是描述文本表现力的形容词或描述其特定理论操作的比喻，而是通过形式发挥政治重要性的美学概念。

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Minority Formalism, Aesthetic Concepts, and Chuang Hua’s Crossings

Abstract:This essay engages philosophy of art, Adorno’s aesthetic theory, and Asian American literary studies to show that aesthetic concepts—terms describing the sensory, perceptual properties of a text—are crucial to theorizing minority formalism and minority aesthetic concepts. Using Adorno’s theory of substantial formalism to analyze Crossings (1968), a little-known Asian American novel, this essay shows that rather than being just adjectives describing the expressive qualities of a text or tropes describing its particular theoretical maneuvers, terms such as opaque, non-linear, fragmented, discordant, or dissonant are aesthetic concepts that exert political import through form.

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来源期刊

MFS-Modern Fiction Studies LITERATURE-

CiteScore

0.70

自引率

0.00%

发文量

期刊介绍： Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.