政治叙事的情感词汇:中国媒体中的乌克兰与西方

S. Zhabotynska, Anastasiya Brynko
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引用次数: 0

摘要

本研究在政治和认知语言学的框架内完成,讨论了政治媒体叙事中作为宣传对公众施加意识形态影响的主要操纵工具的情感负载语言。在塑造政治叙事的各种语言手段中,充满情感的词汇发挥着突出的作用,这是本文探讨的重点。它的目的是揭露饱含感情的文字对媒体描绘2022年2月俄罗斯对乌克兰发动的战争的影响。由于对手和盟友之间在意识形态上的对抗,这种针对俄罗斯和乌克兰国内观众以及外国观众的形象,要么是亲乌克兰的,要么是亲俄罗斯的,而各自的情感评估大多是截然不同的。我们的研究考虑了中国官方媒体旗下广受欢迎的小报《环球时报》英文版塑造的亲俄战争形象。该数据集包括在国际关系背景下描述俄乌战争的文章。这些文章发表于2022年6月,也就是俄罗斯开始军事进攻的三个月后。在本研究中,情感词汇的分析以俄乌战争形象的认知本体论为基础。这种本体被定义为以事件为中心,允许结构化关于事件本身及其参与者的信息。他们口头上精心制作的“肖像”通过使用的情感表达范围变得突出,这有助于在读者脑海中启动和巩固有意的偏见形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotive lexicon of the political narrative: Ukraine and the West in Chinese media
This study, done within the framework of political and cognitive linguistics, discusses emotively loaded language of political media narratives that serve as the major manipulative tool with which propaganda exerts ideological impact on the public. Among various linguistic devices employed in molding the political narrative, a conspicuous role is played by emotively loaded lexicon that is in focus of this inquiry. It aims to expose the contribution of emotively loaded words into featuring a media image of the war launched by Russia against Ukraine in February, 2022. As a result of ideological confrontation between the adversaries and between their allies, this image, targeting home audiences in Russia and Ukraine, as well as foreign audiences, is framed as either pro-Ukrainian and pro-Russian, with the respective emotive assessments being mostly contrastive. Our study considers a pro-Russian image of the war shaped by the English version of The Global Times popular tabloid that belongs to Chinese state media. The dataset includes the articles depicting the Russia-Ukraine war in the context of international relations. The articles were published during June, 2022, three months after the beginning of Russia’s military assault. In the study, the analysis of emotive lexicon grounds on a cognitive ontology of the RUSSIA-UKRAINE WAR image. Such ontology, defined as event-focused, allows for structuring information about the event proper and its participants. Their verbally crafted ‘portraits’ are made salient through the scope of employed emotive expressions, which facilitates priming and entrenchment of the intended biased image in the reader’s mind.
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