{"title":"习惯与定制:香港故宫博物馆的国家建设","authors":"Joyce W.I. Ho, L. Law","doi":"10.1080/13527258.2023.2176349","DOIUrl":null,"url":null,"abstract":"ABSTRACT The Hong Kong Palace Museum (HKPM) is the first museum dedicated to orthodox Chinese history in Hong Kong. Opened in July 2022, the HKPM emerged amid an accelerating integration of the city with mainland China and closely adheres to Chinese nationalist ideologies. However, among museums in Hong Kong and mainland China that foster nation-building, it features conventional yet distinctive presentation strategies. We critically analyse the objects displayed, the textual evidence from labels and panels, and the spatial arrangement of the opening thematic exhibitions to deconstruct the nationalistic agenda embedded in the narrative. On one hand, the HKPM guides local visitors to (re)imagine the Chinese nation based on a flourishing, continuing, Confucian-centric, and culturally diverse Chinese civilisation, following customary nationalistic narratives. On the other hand, the HKPM customises its narrative to legitimise Hong Kong’s unification with China and affix Hong Kong’s past, present, and future to the development of the Chinese nation. Together, the exhibitions attempt to bolster visitors’ sense of belonging to the nation through cognitive and affective means, while invoking a sense of obligation to contribute to the nation.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":"32 1","pages":"122 - 144"},"PeriodicalIF":2.0000,"publicationDate":"2023-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Customary and customised: nation-building at the Hong Kong Palace Museum\",\"authors\":\"Joyce W.I. Ho, L. Law\",\"doi\":\"10.1080/13527258.2023.2176349\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The Hong Kong Palace Museum (HKPM) is the first museum dedicated to orthodox Chinese history in Hong Kong. Opened in July 2022, the HKPM emerged amid an accelerating integration of the city with mainland China and closely adheres to Chinese nationalist ideologies. However, among museums in Hong Kong and mainland China that foster nation-building, it features conventional yet distinctive presentation strategies. We critically analyse the objects displayed, the textual evidence from labels and panels, and the spatial arrangement of the opening thematic exhibitions to deconstruct the nationalistic agenda embedded in the narrative. On one hand, the HKPM guides local visitors to (re)imagine the Chinese nation based on a flourishing, continuing, Confucian-centric, and culturally diverse Chinese civilisation, following customary nationalistic narratives. On the other hand, the HKPM customises its narrative to legitimise Hong Kong’s unification with China and affix Hong Kong’s past, present, and future to the development of the Chinese nation. Together, the exhibitions attempt to bolster visitors’ sense of belonging to the nation through cognitive and affective means, while invoking a sense of obligation to contribute to the nation.\",\"PeriodicalId\":47807,\"journal\":{\"name\":\"International Journal of Heritage Studies\",\"volume\":\"32 1\",\"pages\":\"122 - 144\"},\"PeriodicalIF\":2.0000,\"publicationDate\":\"2023-02-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Heritage Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13527258.2023.2176349\",\"RegionNum\":1,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Heritage Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13527258.2023.2176349","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Customary and customised: nation-building at the Hong Kong Palace Museum
ABSTRACT The Hong Kong Palace Museum (HKPM) is the first museum dedicated to orthodox Chinese history in Hong Kong. Opened in July 2022, the HKPM emerged amid an accelerating integration of the city with mainland China and closely adheres to Chinese nationalist ideologies. However, among museums in Hong Kong and mainland China that foster nation-building, it features conventional yet distinctive presentation strategies. We critically analyse the objects displayed, the textual evidence from labels and panels, and the spatial arrangement of the opening thematic exhibitions to deconstruct the nationalistic agenda embedded in the narrative. On one hand, the HKPM guides local visitors to (re)imagine the Chinese nation based on a flourishing, continuing, Confucian-centric, and culturally diverse Chinese civilisation, following customary nationalistic narratives. On the other hand, the HKPM customises its narrative to legitimise Hong Kong’s unification with China and affix Hong Kong’s past, present, and future to the development of the Chinese nation. Together, the exhibitions attempt to bolster visitors’ sense of belonging to the nation through cognitive and affective means, while invoking a sense of obligation to contribute to the nation.
期刊介绍:
The International Journal of Heritage Studies ( IJHS ) is the interdisciplinary academic, refereed journal for scholars and practitioners with a common interest in heritage. The Journal encourages debate over the nature and meaning of heritage as well as its links to memory, identities and place. Articles may include issues emerging from Heritage Studies, Museum Studies, History, Tourism Studies, Sociology, Anthropology, Memory Studies, Cultural Geography, Law, Cultural Studies, and Interpretation and Design.