{"title":"Zielinski y el suspenso homé瑞哥","authors":"T. Fernández","doi":"10.19137/circe-2023-270107","DOIUrl":null,"url":null,"abstract":": This article aims to explain why in Homeric narrativity, where usually nothing happens in the background, there is no suspense linked to an uncertainty about an outcome; it will link this to the so-called “Zielinski’s law” (I). It will also analyse recent attempts to find suspense gaps in Homer (II). Finally, it will advance an alternative explanation for suspense, based on empathy for a given character and immersion in the narrative world (III)","PeriodicalId":33900,"journal":{"name":"Circe de Clasicos y Modernos","volume":"9 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zielinski y el suspenso homérico\",\"authors\":\"T. Fernández\",\"doi\":\"10.19137/circe-2023-270107\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": This article aims to explain why in Homeric narrativity, where usually nothing happens in the background, there is no suspense linked to an uncertainty about an outcome; it will link this to the so-called “Zielinski’s law” (I). It will also analyse recent attempts to find suspense gaps in Homer (II). Finally, it will advance an alternative explanation for suspense, based on empathy for a given character and immersion in the narrative world (III)\",\"PeriodicalId\":33900,\"journal\":{\"name\":\"Circe de Clasicos y Modernos\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circe de Clasicos y Modernos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19137/circe-2023-270107\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circe de Clasicos y Modernos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/circe-2023-270107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
: This article aims to explain why in Homeric narrativity, where usually nothing happens in the background, there is no suspense linked to an uncertainty about an outcome; it will link this to the so-called “Zielinski’s law” (I). It will also analyse recent attempts to find suspense gaps in Homer (II). Finally, it will advance an alternative explanation for suspense, based on empathy for a given character and immersion in the narrative world (III)
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