《正典无政府:露西·帕森斯、w·e·b·杜波依斯与黑人文学史上的总罢工》

IF 0.1 0 LITERATURE, AMERICAN
T. Bruno
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引用次数: 0

摘要

摘要:我们把谁想象成总罢工的一部分,又是谁想象出来的?本文通过挖掘19世纪漫长的黑人文学史,重新审视杜波依斯在《黑人重建》中将被奴役者总罢工含蓄地描绘为男性故事的狭隘视野。这样做揭示了黑人、墨西哥人和印第安人无政府主义者露西·帕森斯在杜波依斯之前几十年提出和倡导总罢工的重要性。把帕森斯和杜波依斯放在一起,杜波依斯提出了总罢工并将其理论化,总罢工变得更加广泛,罢工所做的也变得更具革命性。这对文学评论家的意义是重大的:大罢工远非少数激进分子的小众关注,而是在黑人文学史上构成了一个可识别和决定性的人物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Canon Anarchy: Lucy Parsons, W. E. B. Du Bois, and the General Strike in Black Literary History
Abstract:Whom do we imagine as part of the general strike, and who imagined it? This essay rethinks W. E. B. Du Bois's limited vision of the general strike of the enslaved, which he implicitly depicts in Black Reconstruction as a men's story, by excavating the strike's Black literary history in the long nineteenth century. Doing so reveals the importance of the Black, Mexican, and Native American anarchist Lucy Parsons in theorizing and advocating the general strike decades before Du Bois. By juxtaposing Parsons with Du Bois, who wages and theorizes the general strike becomes much more expansive, and what the strike does becomes much more revolutionary. The implication for literary critics is significant: far from the niche concern of a few radicals, the general strike constitutes a recognizable and determining figure within Black literary history.
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