{"title":"重点报道:卡姆·科普兰","authors":"Treaandrea M. Russworm","doi":"10.1353/cj.2023.0023","DOIUrl":null,"url":null,"abstract":"Kam Copeland is a PhD candidate in Cinema and Media Studies at the University of Southern California and Dissertation Fellow in African and African Diaspora Studies at Boston College. Currently, he is writing his dissertation, “Muhammad Gazes: Islam, Blackness, and Resistance Cinema in the US,” a representational history of Black American Muslims in cinema. This project also explores how Black Muslims have developed alternative gazes and liberatory cinematic practices to resist dominant framings of Muslimness in US media.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Spotlight: Kam Copeland\",\"authors\":\"Treaandrea M. Russworm\",\"doi\":\"10.1353/cj.2023.0023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Kam Copeland is a PhD candidate in Cinema and Media Studies at the University of Southern California and Dissertation Fellow in African and African Diaspora Studies at Boston College. Currently, he is writing his dissertation, “Muhammad Gazes: Islam, Blackness, and Resistance Cinema in the US,” a representational history of Black American Muslims in cinema. This project also explores how Black Muslims have developed alternative gazes and liberatory cinematic practices to resist dominant framings of Muslimness in US media.\",\"PeriodicalId\":55936,\"journal\":{\"name\":\"JCMS-Journal of Cinema and Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JCMS-Journal of Cinema and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cj.2023.0023\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2023.0023","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Kam Copeland is a PhD candidate in Cinema and Media Studies at the University of Southern California and Dissertation Fellow in African and African Diaspora Studies at Boston College. Currently, he is writing his dissertation, “Muhammad Gazes: Islam, Blackness, and Resistance Cinema in the US,” a representational history of Black American Muslims in cinema. This project also explores how Black Muslims have developed alternative gazes and liberatory cinematic practices to resist dominant framings of Muslimness in US media.