剧作家Dakwah Dakwah Attaki在万隆的摩托车帮社区

Cholil, Nur Syam, Yasyva Agfa Nizar
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引用次数: 1

摘要

本文从戏剧理论的角度探讨了阿垣哈南在《万隆》中的大华创新。研究问题是通过文献研究来回答的,通过其他研究人员和相关来源的工作,用历史和社会学的分析方法来分析哈南·阿塔基的da'wah创新。研究结果表明,Hanan Attaki通过以年轻人容易接受的现代风格传达信息,以及通过年轻人参与社交媒体上的da'wah活动等多种方式,成功地融入了万隆摩托车帮派社区,这是斗殴和打架的代名词。比如Instagram、Twitter和Youtube。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dramaturgi Dakwah Hanan Attaki Pada Komunitas Geng Motor di Bandung
This paper discusses how Hanan Attaki's da'wah innovation in Bandung in the perspective of dramaturgy theory. Research questions are answered using a literature study, with a historical and sociological analysis approach to Hanan Attaki's da'wah innovations through the work of other researchers and related sources. The results of the study show that Hanan Attaki has succeeded in embracing the motorcycle gang community in Bandung which has been synonymous with brawls and fights by taking several approaches, including through conveying messages in a contemporary style that is easily accepted by young people and through the involvement of young people in making da'wah activities on social media., such as Instagram, Twitter and Youtube.
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