IF 0.4 Q1 HISTORY
Tina Montenegro
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引用次数: 0

摘要

马蒂·迪奥普2019年的故事片《大西洋》在当年的戛纳电影节上获得了大奖。这是一个发生在塞内加尔达喀尔的关于迁徙、爱情、失落和幻想的复调故事。借用后殖民主义作家和理论家Édouard Glissant所定义的幻想和神秘创造不透明,迪奥普试图赋予移民受害者尊严,并邀请观众与电影建立关系。多样化的诗歌线条的结合使电影具有惊人的丰富性和共鸣性,也使电影能够不局限于一种解释来评论社会政治问题。尽管她在银幕上呈现的问题是不能动的,但迪奥普传达了对其他能动的希望,她自己赋予了这种希望,并将其具体化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Atlantics
Mati Diop’s 2019 feature film Atlantics won the Grand Prix at Cannes that year. It is a polyphonic tale of migration, love, loss, and fantasy that takes place in Dakar, Senegal. Using fantasy and mystery to create opacity, as defined by the writer and theorist of postcolonialism Édouard Glissant, Diop seeks to give dignity to the victims of migration and to invite viewers to establish a relationship with the film. The combination of diverse poetic lines gives the film striking richness and resonance, as well as the ability to comment on ociopolitical issues without being limited to one interpretation. Despite the immobility of the problems she brings to the screen, Diop transmits hope for other mobilities, which she herself brings to life and embodies.
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来源期刊
CiteScore
0.70
自引率
33.30%
发文量
0
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