“Wakker Met Een Wijsje”——孩子们如何为孩子们发出改变荷兰时代精神的声音

IF 0.4 3区 历史学 Q1 HISTORY
Martine Mussies, Wouter Steenbeek
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引用次数: 0

摘要

摘要本文描述了荷兰流行音乐现象Kinderen voor Kinderen如何反映了荷兰社会变革的时代精神。幼稚园(Kinderen voor Kinderen)深深扎根于支柱化(verzuiling)体系的左翼支柱,敢于讨论对原子弹的恐惧、青春期女性身体的变化、同性恋和多样性等有争议的话题。Bespreekbaarheid是我们三个案例研究的关键词。第一首《简·安·恩斯特》是一首为《杜马》而作的答谢歌曲,是对《杜马》的回应。第二部电影《海蒂·蒂滕》打破了乳房发育的禁忌。最后,第三个案例研究——Kom erbij——是关于多样性和性别问题的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Wakker Met Een Wijsje’ – How Kinderen Voor Kinderen Gave Voice to the Changing Dutch Zeitgeist
ABSTRACT This article describes how the Dutch pop phenomenon Kinderen voor Kinderen mirrors the Zeitgeist of societal changes in the Netherlands. Strongly rooted in the left-winged pillar of the system of pillarization (verzuiling), Kinderen voor Kinderen dared to address controversial topics like the fear for the atom bomb, the changing female body in puberty, homosexuality and diversity. Bespreekbaarheid is the key word for our three case studies. The first – Brief aan Ernst – is an answer song for Doe Maar, a reaction to the doemdenken. The second one – Het Tietenlied – breaks the taboo of developing breasts. Lastly, the third case study – Kom erbij – is about diversity and gender issues.
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来源期刊
CiteScore
0.90
自引率
20.00%
发文量
6
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