女权主义幽默的颠覆性潜力:特雷弗·诺亚的《生来就是罪犯:来自南非童年的故事》和鲁比·考尔的《我要夺回我的身体》

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Kiera Obbard
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引用次数: 1

摘要

本文以特雷弗·诺亚的《生来就是犯罪:南非童年的故事》和鲁比·考尔在TEDxKC的表演《我要夺回我的身体》为例,探讨名人和公共知识分子如何利用女权主义幽默来讲述压迫、创伤和不平等的个人故事。本文以幽默理论、女性主义幽默理论和情感理论为基础,探讨了女性主义幽默作为一种修辞手段的潜力,它可以帮助讲故事的人讲述困难的故事,参与社区建设和世界创造的行动,挑战社会不平等,推动社会变革。最后,这篇文章问我们能从这些例子中学到什么,以及我们如何在自己的讲故事实践中运用女权主义幽默,不仅能打破权力关系,建立团结,还能想象一个新的、更公平的世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminist humour’s disruptive potential: Trevor Noah’s Born a Crime: Stories from a South African Childhood and Rupi Kaur’s ‘I’m taking back my body’
Using Trevor Noah’s Born a Crime: Stories from a South African Childhood and Rupi Kaur’s TEDxKC performance, ‘I’m taking back my body’, as case studies, this article examines how feminist humour is used by celebrities and public intellectuals to tell personal stories of oppression, trauma and inequality. Building on humour theory, feminist humour theory and affect theory, this article examines the potential of feminist humour as a rhetorical device to help storytellers tell difficult stories, to engage in acts of community-building and world-making, to challenge social inequalities and to enable social change. Ultimately, this article asks what we can learn from these examples, and how we can employ feminist humour in our own storytelling practices not only to disrupt power relations and establish solidarity, but also to imagine new, more equitable, worlds.
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CiteScore
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