故事的转折

A. Seth
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引用次数: 0

摘要

不管我们喜不喜欢,我们都被故事包围着。故事以广告、新闻、信息、娱乐的形式出现,有些甚至传授知识。但是我们能够与他们所有人接触吗或者我们甚至希望与他们所有人接触吗?是否有可能完整地理解每一个故事?我们是否能够从中筛选出一个,或者这一切都是一个奇怪的复杂的混合叙事,平行运行,令人困惑地交织在一起?考虑到我们现在的注意力持续时间最多只有20秒,我们该如何看待这种信息超载呢?因为作为一个社会,我们似乎都患有集体注意力缺陷/多动障碍,俗称多动症。尽管如此,我们都参与、相信并投入时间和精力在故事中。我们不断地接受想法和信息,有时带着玩世不恭,有时带着完全的信仰,有时带着完全的怀疑,尤其是当我们想让阿米塔布·巴克坎在肉搏战中打败老虎的时候。如果你问为什么,答案很简单,我们都喜欢娱乐!没有什么比进入一个虚构的世界,生活在幻想中,被运送到《爱乐之城》,进行不可能的冒险,成为英雄,唱歌,跳舞,征服和浪漫的同性恋抛弃和生活的故事,从而逃避无聊,重复的苦工我们的世俗生活。虽然这似乎是陈词滥调,但却是事实。无论我们的生活多么有趣,也许代替别人的生活似乎总是更有趣。如果我们谈论讲故事的未来,我相信我们生活在未来,未来就是今天,当我探索叙事形式和内容时,我相信叙事结构的未来,尤其是戏剧叙事,将取决于我们今后如何消费这些叙事/故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Twist In The Tale
We are surrounded by & constantly engaging with stories whether we like it or not. Stories which come in the form of advertis ing, news, information, entertainment, make believe & some even impart knowledge. But are we able to engage with all of them or do we even wish to engage with all of them? Is it possible to completely comprehend every story in its entirety? Are we able to sieve one from the other or is it all a strange complex mix of narratives running parallel and confusingly intertwined? W hat do we make of this information overload considering our attention spans these days are 20 seconds at best because as a society we all seem to be suffering from collective Attention Deficit/Hyperactivity Disorder popularly known as ADHD. Despite all this we all do engage, believe & invest our time & effort in stories. We are constantly buying into ideas & information sometimes with cynicism, sometimes with complete faith & often times with a total & absolute suspension of our disbelief especially when we want Amitabh Bachchan to beat a tiger in hand to hand combat for instance. And if you ask Why the answer is simple we all love to be entertained! There is nothing like entering a world of make believe, to live a fantasy, be transported to La La Land, go on impossible adventures, be heroic, sing, dance, vanquish & romance with gay abandon & live the story thus escaping from the boring, repetitive drudgery of our mundane lives. Although this may seem a cliché, it is true. However interesting our lives maybe living someone else’s vicariously seems more interesting always. And if we talk about the future of storytelling I believe we are living that Future, Future is Today & as I explore the narrative form & content I believe the f uture of the narrative structure especially dramatic narrative shall be determined by how we consume those narratives / stories, henceforth.
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