威廉·莎士比亚的《卡利班》和玛格丽特·阿特伍德的《表面者:通过第三空间/事物生存》

IF 0.3 3区 文学 0 LITERATURE
Ali Emamipour
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引用次数: 0

摘要

威廉·莎士比亚的《暴风雨》中的卡利班和玛格丽特·阿特伍德的《浮出水面》中的无名叙述者,都在一个人口稀少的岛屿上居住了很长一段时间,他们有着惊人的相似之处,尤其是当他们被视为殖民主义的受害者时。本文首先比较了《表面》中的现代剥削与《暴风雨》中的传统殖民行为。之后,它继续强调卡利班和表面叙述者的父亲在使他们的孩子的殖民化合理化方面所起的作用,可以这么说。然后,本文比较了这两个人物的变形方式。除了详细阐述卡利班和阿特伍德的无名叙述者的相似气质外,本文还将讨论这两个角色如何与帝国主义的霸权进行谈判。本文在结束语中借用霍米·巴巴和玛格丽特·阿特伍德关于第三空间/事物的观点,论述了两位人物通过妥协来解决霸权问题的措施。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
William Shakespeare’s Caliban and Margaret Atwood’s Surfacer: Survival Through the Third Space/Thing
ABSTRACT Caliban in William Shakespeare’s The Tempest and the unnamed narrator in Margaret Atwood’s Surfacing, both dwelling in an underpopulated island for quite some time, bear striking similarities, particularly when seen as two characters who have fallen victim to colonialism. This paper begins by comparing the modern exploitation in Surfacing and traditional colonizing practices in The Tempest. Afterward, it goes on to highlight the role Caliban’s and the Surfacing narrator’s fathers played in making the colonization of their children justified, so to speak. Then, this paper compares the way these two characters undergo transformation. Alongside elaborating on Caliban’s and Atwood’s unnamed narrator’s comparable temperaments, this paper will discuss the way these two characters come to negotiate the hegemony of imperialism. Employing the ideas of Homi Bhabha and Margaret Atwood regarding the third space/thing, this paper, in its conclusion, addresses the measures taken by these two characters to tackle the hegemonic power through compromise.
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
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0.50
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