HEROIC DEMOCRACY IN HIGH RELIEF: POLITICAL LEGITIMACY AND MONUMENTAL IMAGERY IN FIFTH-CENTURY ATHENS

In recent decades, political theorists have significantly revised their understanding of Athenian democratic thinking. By opening up the canon, shifting their focus from abstract principles to democratic practices, and employing an increasingly diverse range of interpretive approaches, they have collectively reconstructed a more robust and multi-faceted account of the Athenian democratic public sphere. Despite its ecumenical ambitions and manifest successes, however, this project has been fettered by a singular focus on language as the medium of democratic politics. As can be seen in the gloss of one of its contributors, this body of work effectively limits the democratic public sphere to ‘the domain in which judgments and public opinion are shaped and formed through speech’. This logocentric demarcation of democratic practice does not harmonize well with our own experience of modern politics, however, where public monuments, political imagery, and civic spaces play a critical role in the formation of political understanding and judgment, as well as starting points for discussion, debate, and disagreement. It seems similarly out of tune with what we know about the ancient Greeks, who demonstrated a readiness to move between visual and verbal content in reflecting on political and ethical life, and who developed the very idea of theôria out of an extension of the process of seeing. If, as political theorists, we can temper our habitual logocentrism and learn to attend more closely to the visual culture of Athenian democracy, we stand to add new dimensions to our collective reconstruction of the democratic public sphere and, in turn, to enhance our understanding of those texts that have long preoccupied our attention.