先验与思辨唯心主义中的文化与自由

IF 0.2 0 PHILOSOPHY
C. Krijnen
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引用次数: 1

摘要

现代文化哲学的奠基人,新康德主义者,尤其是西南学派,将文化概念作为自然概念的对立面。把海因里希·里克特带走?本文以文化观为出发点,揭示了文化是如何被理解为(具体的)主体(主体)的自我形成的。它导致了自由的先验唯心主义,这是康德式先验哲学的典型。然而,在主体的这种自我和世界的形成中,预设了自然在某种程度上是由价值从而由自由形成的。这个前提不能在先验唯心主义中得到适当的解释。相比之下,黑格尔将文化视为理念的表现,从而导致了自由的思辨唯心主义。文化的起源,即它最初的规定性,不应当被理解为与自然对立,因而不应当被理解为思想和行动的主体(主体)通过形成自己的世界——文化而形成自己。反之,它应当被理解为理念的一种表现,即作为真正先验的主体,作为绝对的有效性根据,因而也是存在的根据。自然和文化主要都是由它们的理想性格和由此产生的关系所决定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Culture and freedom in transcendental and speculative idealism
The founding fathers of modern philosophy of culture, the neo-Kantians, and especially the Southwest school, brought the concept of culture into play as a counter concept to that of nature. Taking Heinrich Rickert?s conception of culture as a starting point, the article shows how culture is conceived of as a self-formation of the (concrete) subject (agent). It leads to transcendental idealism of freedom, typical of a Kantian type of transcendental philosophy. However, in this self and world formation of the subject it is presupposed that nature is to any extent formable by values and thus by freedom. This presupposition cannot be accounted for properly within transcendental idealism. Hegel, by contrast, conceives of culture as a manifestation of the idea, leading to speculative idealism of freedom. The origin of culture, i.e., its original determinacy, should not be conceived of in terms of an opposition to nature, and consequently in the fashion of a subject (agent) of thought and action that forms itself by forming its world, culture. Rather, it should be conceived of in terms of a manifestation of the idea as the truly transcendental subject qua absolute ground of validity and thus the ground of being too. Nature and culture are both primarily determined by their ideal character and the relationships emerging therefrom.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
14
审稿时长
24 weeks
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