{"title":"数字根茎:了解马来西亚第14届全国大选后的在线青年政治参与","authors":"Joanne Lim Bee Yin, Teoh Sing Fei","doi":"10.1355/sj37-2e","DOIUrl":null,"url":null,"abstract":"Abstract:Since the eleventh general elections in 2004, Malaysia’s ‘convergence’ mediascape has revealed new affordances in youth politics (see Jenkins 2006, pp. 2–3). Consistent with the perceived characteristics of a digitized culture in political participation, ‘rhizomorphic’ behaviour is observed (see Lim 2017, pp. 217–23) and further examined in this study—undertaken fifteen years later, in 2020—following the country’s first ever regime change in the 2018 general elections (GE14). Referencing Deleuze and Guattari’s (1987, pp. 3–25) ‘schizoanalysis’, this study sheds light on how Malaysian youths creatively and purposefully deterritorialize and reterritorialize their political desires. Specifically, this paper observes the political mediascape post-GE14 via a database from Malaysia’s ‘Twitter-verse’ and a collective of civil society groups (e.g., Projek Dialog, Warga Dunia, Borneo Komrad) in order to substantiate the idea of a ‘digital rhizomorph’. The digital rhizomorph is defined in this study as a body of contemporary youth politics that are more experimental and collaborative than hierarchical in character. The digital rhizomorph offers a more nuanced understanding of the original concept of the ‘rhizome’, often reflecting and morphing based on several key factors identified in the fieldwork.","PeriodicalId":43547,"journal":{"name":"SOJOURN-Journal of Social Issues in Southeast Asia","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Digital Rhizomorph: Understanding Online Youth Political Participation Post Malaysia’s GE14\",\"authors\":\"Joanne Lim Bee Yin, Teoh Sing Fei\",\"doi\":\"10.1355/sj37-2e\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Since the eleventh general elections in 2004, Malaysia’s ‘convergence’ mediascape has revealed new affordances in youth politics (see Jenkins 2006, pp. 2–3). Consistent with the perceived characteristics of a digitized culture in political participation, ‘rhizomorphic’ behaviour is observed (see Lim 2017, pp. 217–23) and further examined in this study—undertaken fifteen years later, in 2020—following the country’s first ever regime change in the 2018 general elections (GE14). Referencing Deleuze and Guattari’s (1987, pp. 3–25) ‘schizoanalysis’, this study sheds light on how Malaysian youths creatively and purposefully deterritorialize and reterritorialize their political desires. Specifically, this paper observes the political mediascape post-GE14 via a database from Malaysia’s ‘Twitter-verse’ and a collective of civil society groups (e.g., Projek Dialog, Warga Dunia, Borneo Komrad) in order to substantiate the idea of a ‘digital rhizomorph’. The digital rhizomorph is defined in this study as a body of contemporary youth politics that are more experimental and collaborative than hierarchical in character. The digital rhizomorph offers a more nuanced understanding of the original concept of the ‘rhizome’, often reflecting and morphing based on several key factors identified in the fieldwork.\",\"PeriodicalId\":43547,\"journal\":{\"name\":\"SOJOURN-Journal of Social Issues in Southeast Asia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-07-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOJOURN-Journal of Social Issues in Southeast Asia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1355/sj37-2e\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOJOURN-Journal of Social Issues in Southeast Asia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1355/sj37-2e","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
摘要:自2004年第十一届大选以来,马来西亚的“融合”媒体景观揭示了青年政治的新启示(见Jenkins 2006, pp. 2-3)。与数字化文化在政治参与中的感知特征相一致,观察到“根状”行为(见Lim 2017,第217-23页),并在15年后的2020年进行的这项研究中进行了进一步的研究——在2018年大选(第14届大选)中该国首次政权更迭之后。参考德勒兹和瓜塔里(1987,第3-25页)的“精神分裂分析”,这项研究揭示了马来西亚年轻人如何创造性地和有目的地将他们的政治欲望去领土化和再领土化。具体来说,本文通过马来西亚的“Twitter-verse”数据库和一群公民社会团体(如Projek Dialog、Warga Dunia、Borneo Komrad)观察了第14届大选后的政治媒体景观,以证实“数字根形”的概念。在本研究中,数字根茎被定义为当代青年政治的一个主体,它更具实验性和协作性,而不是等级性。数字根形态对“根茎”的原始概念提供了更细致入微的理解,通常反映和变形基于实地工作中确定的几个关键因素。
The Digital Rhizomorph: Understanding Online Youth Political Participation Post Malaysia’s GE14
Abstract:Since the eleventh general elections in 2004, Malaysia’s ‘convergence’ mediascape has revealed new affordances in youth politics (see Jenkins 2006, pp. 2–3). Consistent with the perceived characteristics of a digitized culture in political participation, ‘rhizomorphic’ behaviour is observed (see Lim 2017, pp. 217–23) and further examined in this study—undertaken fifteen years later, in 2020—following the country’s first ever regime change in the 2018 general elections (GE14). Referencing Deleuze and Guattari’s (1987, pp. 3–25) ‘schizoanalysis’, this study sheds light on how Malaysian youths creatively and purposefully deterritorialize and reterritorialize their political desires. Specifically, this paper observes the political mediascape post-GE14 via a database from Malaysia’s ‘Twitter-verse’ and a collective of civil society groups (e.g., Projek Dialog, Warga Dunia, Borneo Komrad) in order to substantiate the idea of a ‘digital rhizomorph’. The digital rhizomorph is defined in this study as a body of contemporary youth politics that are more experimental and collaborative than hierarchical in character. The digital rhizomorph offers a more nuanced understanding of the original concept of the ‘rhizome’, often reflecting and morphing based on several key factors identified in the fieldwork.