{"title":"寻找一个可以呼吸的空间","authors":"Elisabetta Campagni","doi":"10.3167/ajec.2021.300206","DOIUrl":null,"url":null,"abstract":"This contribution explores two projects that have addressed urban toponymy by building counter-narratives that challenge dominant historical narratives. It does so through audio-visual materials and draws on biographies as well as intimate gazes. The first section explores the Rome-based Tezeta collective’s Harnet Streets project, where memories and family histories of subjects belonging to the Eritrean diasporas1 become the centre of a new counter-storytelling that starts from the toponymy of the African neighbourhood. The second section focuses on the city of Padova, looking at how some colonial streets have been re-appropriated by the bodies, voices and gazes of six Italian Afro-descendants who took part in a participatory video, re-signifying urban traces of colonialism in a creative way. The teaching and research experience of the Visual Research Methods Lab (University of Padova, Fall 2020) allowed us to question worldviews and social hierarchies that made it possible to celebrate/forget the racist and sexist violence of colonialism.","PeriodicalId":43124,"journal":{"name":"Anthropological Journal of European Cultures","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Looking for a Space to Breathe\",\"authors\":\"Elisabetta Campagni\",\"doi\":\"10.3167/ajec.2021.300206\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This contribution explores two projects that have addressed urban toponymy by building counter-narratives that challenge dominant historical narratives. It does so through audio-visual materials and draws on biographies as well as intimate gazes. The first section explores the Rome-based Tezeta collective’s Harnet Streets project, where memories and family histories of subjects belonging to the Eritrean diasporas1 become the centre of a new counter-storytelling that starts from the toponymy of the African neighbourhood. The second section focuses on the city of Padova, looking at how some colonial streets have been re-appropriated by the bodies, voices and gazes of six Italian Afro-descendants who took part in a participatory video, re-signifying urban traces of colonialism in a creative way. The teaching and research experience of the Visual Research Methods Lab (University of Padova, Fall 2020) allowed us to question worldviews and social hierarchies that made it possible to celebrate/forget the racist and sexist violence of colonialism.\",\"PeriodicalId\":43124,\"journal\":{\"name\":\"Anthropological Journal of European Cultures\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anthropological Journal of European Cultures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/ajec.2021.300206\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anthropological Journal of European Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/ajec.2021.300206","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
This contribution explores two projects that have addressed urban toponymy by building counter-narratives that challenge dominant historical narratives. It does so through audio-visual materials and draws on biographies as well as intimate gazes. The first section explores the Rome-based Tezeta collective’s Harnet Streets project, where memories and family histories of subjects belonging to the Eritrean diasporas1 become the centre of a new counter-storytelling that starts from the toponymy of the African neighbourhood. The second section focuses on the city of Padova, looking at how some colonial streets have been re-appropriated by the bodies, voices and gazes of six Italian Afro-descendants who took part in a participatory video, re-signifying urban traces of colonialism in a creative way. The teaching and research experience of the Visual Research Methods Lab (University of Padova, Fall 2020) allowed us to question worldviews and social hierarchies that made it possible to celebrate/forget the racist and sexist violence of colonialism.