格式逻辑:以跨国电视制作为例

IF 0.4 0 FILM, RADIO, TELEVISION
J. van Keulen, T. Krijnen, Joke Bauwens
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引用次数: 0

摘要

对形式和跨国媒体公司的研究审查了电视制作的跨国化,这些研究往往强调了当地在全球的弹性。本文从电视制作的微观层面考察了跨国化,借鉴了参与者对一家由美国企业集团部分拥有的荷兰制作公司的观察。它探讨了当地与全球在生产的不同方面的深刻纠缠-包括法律,组织和市场方面-表现在电视制作的日常实践和决策中。我们的分析揭示了一种工业的格式逻辑,这种逻辑不仅是由跨国所有权结构和商业模式引起的,而且在生产惯例和节目惯例中也根深蒂固。通过这种逻辑,跨国塑造了媒体人的日常工作、节目理念的选择和内容开发的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The logic of formatting: A case study on transnational television production
The transnationalization of television production has been examined by studies on formats and multinational media companies, which have often highlighted the resilience of the local in the global. This article investigates transnationalization on the micro level of television production, drawing on participant observations in a Dutch production company that is partly owned by an American conglomerate. It explores the deep entanglement of the local with the global in different facets of production – including legal, organizational and market aspects – as manifested in daily practices and decision-making in television production. Our analysis reveals an industrial logic of formatting that is not only induced by transnational ownership structures and business models but also deeply ingrained in production routines and programme conventions. Through this logic, transnationalization shapes media professionals’ daily work, the selection of programme ideas and the process of content development.
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来源期刊
Journal of Popular Television
Journal of Popular Television FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
14
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