方法上的考虑:趋同

IF 0.3 0 RELIGION
Martha Frederiks, D. Nagy
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引用次数: 0

摘要

Nemere Kerezsi在这本书的封面上所描绘的养蜂场的艺术作品概括了我们作为编辑认为世界基督教方法独特的几个特征。它集中体现了差异的同时性,并以这样一种方式平衡独特性和连接性,即每个几何形式都是独特而完整的,并且是一个更大实体的组成部分。形式之间的流动过渡投射出团结和统一,但没有明显的中心。对我们来说,《在养蜂场》代表了一种概念性设计,它将世界基督教方法的一些基本理论思想可视化。这种世界基督教的方法在很大程度上仍在“形成中”。弗雷德里克在本卷试探性地勾勒出这种方法的一些轮廓,从宗教研究的角度来看,指出它
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Methodological Considerations: Convergences
Nemere Kerezsi’s artwork In the apiary depicted on the cover of this book encapsulates several of the features that we as editors consider distinctive for a World Christianity approach. It epitomizes simultaneity of difference and balances uniqueness and connectedness in such a way that each geometric form is both distinct and complete, and a constitutive part of a larger entity. The fluid transitions between the forms project togetherness and oneness, yet there is no apparent center. To us, In the apiary represents a conceptual design that visualizes some of the fundamental theoretical ideas of a World Christianity approach. This World Christianity approach is still very much ‘in the making’. Frederiks in this volume tentatively sketches some of the contours of such an approach from a religious studies perspective, stating that it
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