量子般的旋律感知

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
B. Fugiel
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引用次数: 5

摘要

我提出了一种类似量子的方法来描述旋律感知,其中构成旋律的经典音程被声学量子比特取代,即两级声学系统,为此目的使用谢泼德音调。每个这样的量子位被认为是两个上升和下降间隔的叠加,当它们放在一起时形成一个八度。因此,任何旋律感知都可以类比地处理为一系列量子测量。由于声塌缩,类似于量子力学中的波函数缩减,每次只能听到一个音程,上升或下降。由相同的声学量子位序列产生的不同旋律可以被感知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quantum-like melody perception
I propose a quantum-like approach to the description of melody perception where classic intervals that constitute a melody are replaced by acoustical qubits, i.e. two-level acoustic systems, using Shepard tones for this purpose. Each of such qubits is considered to be a superposition of two intervals, ascending and descending, that form an octave when put together. Any melody perception can thus be treated analogously to a sequence of quantum measurements. Because of an acoustical collapse, analogous to the wave function reduction in quantum mechanics, just a single interval, ascending or descending, can be heard each time. Different melodies generated by the same sequence of acoustical qubits can be then perceived.
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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