无家可归者和抽象机器的城市:对无家可归者的组合思维和表演方法

Michele Lancione
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引用次数: 48

摘要

本文关注的是当前文献尚未充分探讨的无家可归者的“表演”方法的一个中心点:无家可归者与城市之间关系纠缠的概念化。论点是,只有通过对这些流动的、超越人类的细节的批判性关注,我们才能重新想象一种不同的无家可归者政治。本文结合德勒兹和瓜塔里的作品以及批判性组合思维,提出了两个在这个意义上被认为是基本的概念。首先,集合,作为一个概念,能够在城市中呈现个人的混合选区;第二,抽象的机器,作为一种考虑到影响一个人无家可归经历的权力流动性的方式。本文提出的方法是通过在意大利都灵进行的为期10个月的民族志田野调查所得的原始民族志材料的介绍来说明的。这篇论文的结论是,至少有两种方法可以解决无家可归这一抽象问题。首先,重新设计产生污名化话语和深刻情感影响的医疗机构组合。第二,解放无家可归者的能力和资源,这一点目前在规范的文献和政策中没有得到充分的考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Homeless people and the city of abstract machines: Assemblage thinking and the performative approach to homelessness
The paper focuses on one central point of the ‘performative’ approach to homelessness that is still inadequately explored by the current literature: the conceptualisation of the relational entanglements between homeless people and the city. The argument is that only through a critical attention to these fluid and more-than-human details will we be able to re-imagine a different politics of homelessness. The paper, engaging with the work of Deleuze and Guattari as well as with critical assemblages thinking, proposes two concepts that are considered to be fundamental in this sense. First, assemblage, as a concept able to render the hybrid constituency of the individual within the city; and second, abstract machines, as a way to take into account the fluidity of power in affecting one's own experience of homelessness. The approach proposed in the paper is illustrated through the presentations of original ethnographic material derived from ten months of ethnographic fieldwork in Turin, Italy. The paper concludes by suggesting that the abstract machine of homelessness can be tackled in at least two ways. First, re-working the institutional assemblages of care that produce stigmatising discourses and deep emotional effects. Second, liberating homeless people's capacities and resources, which are currently poorly accounted by canonical literature and policies.
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