耶路撒冷被送到意大利:圣墓穿越地中海

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES
I Tatti Studies Pub Date : 2022-09-01 DOI:10.1086/721750
Victoria Addona
{"title":"耶路撒冷被送到意大利:圣墓穿越地中海","authors":"Victoria Addona","doi":"10.1086/721750","DOIUrl":null,"url":null,"abstract":"IN 1604, THE TUSCAN GRAND DUKE Ferdinando I de’ Medici planned to execute an extraordinary feat with the aid of the Druze emir Fakhr ad-Dīn II: to move the Holy Sepulcher from Ottoman-controlled Jerusalem to Florence. He allegedly intended to place Christ’s tomb in the center of the Cappella dei Principi in the Church of San Lorenzo. Located between the Old and New Sacristy, this chapel was being constructed as a mausoleum for the Medici princes (fig. 1). Ferdinando inherited the incomplete project from his father, Cosimo I, who, with the court architect Giorgio Vasari, initially envisioned its design as a celebration of stone. According to Vasari, “various mixed marbles” collected from around the world and embedded in the chapel’s walls “would make this new mausoleum","PeriodicalId":42173,"journal":{"name":"I Tatti Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Jerusalem Delivered to Italy: Moving the Holy Sepulcher across the Mediterranean\",\"authors\":\"Victoria Addona\",\"doi\":\"10.1086/721750\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"IN 1604, THE TUSCAN GRAND DUKE Ferdinando I de’ Medici planned to execute an extraordinary feat with the aid of the Druze emir Fakhr ad-Dīn II: to move the Holy Sepulcher from Ottoman-controlled Jerusalem to Florence. He allegedly intended to place Christ’s tomb in the center of the Cappella dei Principi in the Church of San Lorenzo. Located between the Old and New Sacristy, this chapel was being constructed as a mausoleum for the Medici princes (fig. 1). Ferdinando inherited the incomplete project from his father, Cosimo I, who, with the court architect Giorgio Vasari, initially envisioned its design as a celebration of stone. According to Vasari, “various mixed marbles” collected from around the world and embedded in the chapel’s walls “would make this new mausoleum\",\"PeriodicalId\":42173,\"journal\":{\"name\":\"I Tatti Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"I Tatti Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/721750\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"I Tatti Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/721750","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 2

摘要

1604年,托斯卡纳大公费迪南多一世·德·美第奇(ferdinand I de ' Medici)计划在德鲁兹埃米尔法克尔·德·德·尼二世(Fakhr ad- d- n II)的帮助下完成一项非凡的壮举:将圣墓从奥斯曼帝国控制的耶路撒冷搬到佛罗伦萨。据称,他打算把基督的坟墓放在圣洛伦佐教堂主教堂的中心。这座教堂位于新旧圣器室之间,是作为美第奇王子的陵墓而建造的(图1)。费迪南多从他的父亲科西莫一世那里继承了这个未完成的项目,科西莫一世和宫廷建筑师乔治·瓦萨里最初设想将其设计为石头的庆祝活动。根据瓦萨里的说法,从世界各地收集并嵌入教堂墙壁的“各种混合大理石”将成为这座新的陵墓
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jerusalem Delivered to Italy: Moving the Holy Sepulcher across the Mediterranean
IN 1604, THE TUSCAN GRAND DUKE Ferdinando I de’ Medici planned to execute an extraordinary feat with the aid of the Druze emir Fakhr ad-Dīn II: to move the Holy Sepulcher from Ottoman-controlled Jerusalem to Florence. He allegedly intended to place Christ’s tomb in the center of the Cappella dei Principi in the Church of San Lorenzo. Located between the Old and New Sacristy, this chapel was being constructed as a mausoleum for the Medici princes (fig. 1). Ferdinando inherited the incomplete project from his father, Cosimo I, who, with the court architect Giorgio Vasari, initially envisioned its design as a celebration of stone. According to Vasari, “various mixed marbles” collected from around the world and embedded in the chapel’s walls “would make this new mausoleum
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
I Tatti Studies
I Tatti Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信