本·琼森的木偶戏剧与造型诠释实践

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-05-27 DOI:10.1353/SEL.2019.0012

Nicole Sheriko

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引用次数: 1

摘要

摘要:本文通过对本·琼森五种类型作品中木偶戏的文字和比喻运用，论证了琼森对木偶戏的持续研究产生了一种戏剧理论及其解释。通过巴塞洛缪博览会，木偶观众的参与成为一种构成表演的批评形式，这种模式与约翰逊在《浴缸的故事》中通过木偶表演的形式化文学批评不可分割。通过利用木偶戏与假面戏的相似之处来批评伊尼戈·琼斯，约翰逊将木偶戏作为他早期批评的重要线索和另一种解释参与的模式。

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Ben Jonson's Puppet Theater and Modeling Interpretive Practice

Abstract:Drawing on literal and figurative uses of puppetry across five genres of Ben Jonson's writing, this article argues that Jonson's sustained engagement with puppet theater produces a theory of drama and its interpretation. Through Bartholomew Fair, puppet audiences' participation emerges as a form of criticism that constitutes performance, a model inseparable from the formalized literary criticism Jonson enacts through puppetry in A Tale of a Tub. By leveraging puppetry's similarities to the masque to critique Inigo Jones, Jonson offers puppetry as both a vital strand of his early criticism and an alternative model of interpretive engagement.

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.