重新生活的城市:俄罗斯娃娃的城市时间循环

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Orin Posner
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引用次数: 0

摘要

摘要:本文讨论了电视剧《俄罗斯娃娃》(2019 -)第一季,通过叙事的视角分析了其时间循环结构,重点关注其背景对叙事中关于城市社会联系的整体信息的意义。故事中城市空间的时间轴和重复的时间性反映了两位主人公(娜塔莎·莱昂尼和查理·巴内特)的内心挣扎,也反映了当代的集体创伤和无法想象不同的未来——戈梅尔和卡蒂·谢姆托夫(2018)将这种叙事模式称为“边缘乌托邦”。然而,《俄罗斯娃娃》最终是乐观的,它让主人公们打破了他们的边缘时间循环,走向一个对未来重获希望的变革结论。时间循环的叙事装置推动角色沉浸在自己的空间中:加入城市中的其他人并创建一个社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-living the city: The urban time-loop of Russian Doll
Abstract This article discusses the first season of the television series Russian Doll (2019–), analyzing its time-loop structure through a narratological lens with focus on the significance of its setting to the narrative’s overall message on social connection in the city. The narrative’s chronotope of urban space and repetitive temporality works to reflect the internal struggles of its two protagonists (Natasha Lyonne and Charlie Barnett), but also a contemporary collective trauma and inability to imagine a different future – a narrative mode that Gomel and Karti Shemtov (2018) term “limbotopia”. However, Russian Doll is ultimately optimistic, allowing its protagonists to break out of their limbotopic time loops and move towards a transformative conclusion of regained hope for the future. The narrative device of the time loop pushes the characters to immerse themselves in their space: joining other people in the city and creating a community.
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