{"title":"匮乏的戏谑主题:尼日利亚无意识中幽默的阴暗面","authors":"Ogochukwu Ukwueze, Chetachi Igbokwe","doi":"10.1080/10131752.2021.1987648","DOIUrl":null,"url":null,"abstract":"Abstract “We play too much in this country” is a popular and handy response to funny statements or events and an affirmation of Nigerians’ aptitude for humour. This comic impulse in the Nigerian unconscious has been variously seen as a means of releasing stress, coping with harsh realities, critiquing social and political situations, and even enhancing democracy. While acknowledging these observations, two more fundamental questions arise: Why does humour proliferate in Nigeria? And how does this tendency work against the nation? To attend to these questions, we explore three forms of humour: jokes, conversational humour, and accidental humour. The data analysed in this article were collected from Twitter, Facebook, and reports on national events in Nigerian newspapers. The analysis is anchored on Todd McGowan’s theory of the comic as a coincidence of lack and excess. The findings show that the increasing production of humour in various forms is a symptom of a fundamental lack, a defectiveness in the country’s socio-political and socioeconomic reality, and that these playful responses to situations trivialise the problems, weaken confrontational impulses, and heighten legal and moral laxity. Thus, as Nigerians we are “amusing ourselves to death”.","PeriodicalId":41471,"journal":{"name":"English Academy Review-Southern African Journal of English Studies","volume":"75 1","pages":"8 - 20"},"PeriodicalIF":0.4000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Playful Subjects of Lack: The Underside of Humour in the Nigerian Unconscious\",\"authors\":\"Ogochukwu Ukwueze, Chetachi Igbokwe\",\"doi\":\"10.1080/10131752.2021.1987648\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract “We play too much in this country” is a popular and handy response to funny statements or events and an affirmation of Nigerians’ aptitude for humour. This comic impulse in the Nigerian unconscious has been variously seen as a means of releasing stress, coping with harsh realities, critiquing social and political situations, and even enhancing democracy. While acknowledging these observations, two more fundamental questions arise: Why does humour proliferate in Nigeria? And how does this tendency work against the nation? To attend to these questions, we explore three forms of humour: jokes, conversational humour, and accidental humour. The data analysed in this article were collected from Twitter, Facebook, and reports on national events in Nigerian newspapers. The analysis is anchored on Todd McGowan’s theory of the comic as a coincidence of lack and excess. The findings show that the increasing production of humour in various forms is a symptom of a fundamental lack, a defectiveness in the country’s socio-political and socioeconomic reality, and that these playful responses to situations trivialise the problems, weaken confrontational impulses, and heighten legal and moral laxity. Thus, as Nigerians we are “amusing ourselves to death”.\",\"PeriodicalId\":41471,\"journal\":{\"name\":\"English Academy Review-Southern African Journal of English Studies\",\"volume\":\"75 1\",\"pages\":\"8 - 20\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"English Academy Review-Southern African Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10131752.2021.1987648\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Academy Review-Southern African Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10131752.2021.1987648","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
Playful Subjects of Lack: The Underside of Humour in the Nigerian Unconscious
Abstract “We play too much in this country” is a popular and handy response to funny statements or events and an affirmation of Nigerians’ aptitude for humour. This comic impulse in the Nigerian unconscious has been variously seen as a means of releasing stress, coping with harsh realities, critiquing social and political situations, and even enhancing democracy. While acknowledging these observations, two more fundamental questions arise: Why does humour proliferate in Nigeria? And how does this tendency work against the nation? To attend to these questions, we explore three forms of humour: jokes, conversational humour, and accidental humour. The data analysed in this article were collected from Twitter, Facebook, and reports on national events in Nigerian newspapers. The analysis is anchored on Todd McGowan’s theory of the comic as a coincidence of lack and excess. The findings show that the increasing production of humour in various forms is a symptom of a fundamental lack, a defectiveness in the country’s socio-political and socioeconomic reality, and that these playful responses to situations trivialise the problems, weaken confrontational impulses, and heighten legal and moral laxity. Thus, as Nigerians we are “amusing ourselves to death”.
期刊介绍:
The English Academy Review: A Journal of English Studies (EAR) is the journal of the English Academy of Southern Africa. In line with the Academy’s vision of promoting effective English as a vital resource and of respecting Africa’s diverse linguistic ecology, it welcomes submissions on language as well as educational, philosophical and literary topics from Southern Africa and across the globe. In addition to refereed academic articles, it publishes creative writing and book reviews of significant new publications as well as lectures and proceedings. EAR is an accredited journal that is published biannually by Unisa Press (South Africa) and Taylor & Francis. Its editorial policy is governed by the Council of the English Academy of Southern Africa who also appoint the Editor-in-Chief for a three-year term of office. Guest editors are appointed from time to time on an ad hoc basis.