研究汉斯·哈克的凝结立方体(1965)和古斯塔夫·梅茨格的液晶环境(1965)中的流动性

Kitty Whittell
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引用次数: 0

摘要

本文考察了汉斯·哈克和古斯塔夫·梅茨格的两部早期以液体为基础的作品《凝结立方》(1965)和《液晶环境》(1965)中流动性的作用。流动性与流动性的区别在于,在液晶环境中,流动性表现为从固体到液体的转变过程,在冷凝立方中,流动性表现为从液体到气体的转变过程。正如我所说,这种流动过程的利害关系,对于理解这些作品与哈克和梅茨格的艺术实践之间的利害关系至关重要。通过对流动过程的研究,我希望展示这些早期作品如何也有助于对制度和政治的批评,这些批评通常与哈克和梅茨格后来的作品有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Investigating Fluidity in Hans Haacke’s Condensation Cube (1965) and Gustave Metzger’s Liquid Crystal Environment (1965)
This article considers the role of fluidity in two early liquid-based works by Hans Haacke and Gustav Metzger, Condensation Cube (1965) and Liquid Crystal Environment (1965). Fluidity is distinct from liquidity in that it presents a process of transition from solid to liquid in the case of Liquid Crystal Environment and liquid to gas in Condensation Cube. The stakes of this fluid process are, as I argue, crucial to understanding the critical stakes of these works in relation to Haacke and Metzger's artistic practise. By examining fluid process, I hope to show how these early pieces also contribute institutional and political criticisms that are typically associated with Haacke and Metzger's later work.
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