历史艰难篇章的关联后记忆形成路径(以政治压迫时代为例)

IF 0.2 4区 社会学 0 FOLKLORE
Yulia V. Zevako
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引用次数: 0

摘要

本文讨论了青少年(第四代代表)对俄罗斯历史上最具争议和最复杂的主题之一——从20世纪30年代到50年代的政治压迫时代——的附属后记忆形成背后的机制。文章的第一部分致力于方法论和必要性问题,以及在记忆实践中使用真实空间和真实人工制品作为过去和现在之间媒介的可能性。基本思想是玛丽安·赫希的“后记忆”概念,亚历山大·埃特金的“悲伤”概念,谢尔盖·奥沙金的“历史的情感管理”概念。此外,还有Varvara Sklez、Veronica Dorman、Olga Strelova和Alexander Kotlomanov的想法,这些想法与非常真实的空间和/或人工物品有关,有助于激发和形成对复杂历史页面的记忆,不是从内部,而是从外部,创造了一种“感官实验室”。正是由于这种“感觉”,一个人通过所激起的强烈情绪来体验和占有枯燥的信息,并建立起政治压迫时代的个人附属记忆水平。文章的第二部分描述了两个实验,使我能够分析真实空间(身临其境的戏剧表演)和真实工件(存档的调查案例)对青少年的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Routes to Forming an Affiliative Postmemory about Difficult Pages in History (Based on the Example of the Era of Political Repression)
This article discusses the mechanism behind the formation in adolescents (representatives of the 4th generation) of an affiliative postmemory about one of the most controversial and complex subjects in Russian history – the era of political repression from the 1930s to the1950s. The first part of the article is devoted to questions of methodology and necessity, and to the possibilities of using an authentic space and an authentic artifact as mediators between past and present in memory practices. The basic ideas are the concepts of “postmemory” by Marianne Hirsch, “grief” by Alexander Etkind, and “affective management of history” by Sergey Oushakin. Additionally, there are the ideas of Varvara Sklez, Veronica Dorman, Olga Strelova, and Alexander Kotlomanov in relations to that very authentic space and/or artifact which helps to provoke and form the memory of complex pages of history, not from within, but from without, enabling the creation of a kind of “sensory laboratory” for the period. Thanks to this “feeling”, dry information is experienced and appropriated by a person through the strong emotions provoked, and the level of individual affiliative memory of the era of political repression is built up. The second part of the article describes two experiments which allowed me to analyse the effects of an authentic space (an immersive drama performance) and an authentic artifact (an archived investigation casefile) on adolescents.
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
24
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