音乐欣赏水平对音乐课程的挑战

Nikolina Matoš, Ana Coric
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引用次数: 0

摘要

音乐入门课程在各种正式和非正式的环境中进行。如今,虚拟环境是一个平等的,甚至可能是主导因素。由此可见,“作者-作品-受众”三位一体以不同的方式实现。通过与音乐的互动,学生成为一个积极的研究者和共同创造者,这是音乐欣赏的先决条件。在本文中,我们将对不同层次的音乐欣赏进行理论和实证研究,并讨论在教育过程中获得这种复杂能力的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Levels of Music Appreciation as a Challenge for Music Curriculum
Introduction to music takes place in all kinds of formal and informal contexts. Nowadays, virtual environment is an equal, perhaps even dominant factor. What follows is that the triad of “author - work - audience” is implemented in different ways. By interacting with music, the student becomes an active researcher and a co-creator, which is a prerequisite for music appreciation. In this paper, we will conduct theoretical and empirical research of different levels of music appreciation, and discuss the opportunity of acquiring this complex competency in the educational process.
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