{"title":"(1549)","authors":"Pietro Montorfani","doi":"10.1400/77085","DOIUrl":null,"url":null,"abstract":"The Venetian \"poligrafo\" and playwriter Lodovico Dolce (1508-1568), author of many tragedies and comedies inspired both from Greek and Latin sources, proposed in 1549 along with his Giocasta a new version of Euripides' Phoenician Women. Looking at the Latin translation by Doroteo Camillo Collinus (because Dolce didn't know Greek), changing the title, adding some characters and, above all, writing a text as comprehensible as possible for the Renaissance readers, he was able to produce a tragedy typical of the Mid-Sixteenth Century in Italy, where the Classical heritage is ingrained in the memory of the first tragic attempts of the Italian Renaissance, following a \"canon\" already set by Trissino, Rucellai, Giraldi and Aretino.","PeriodicalId":55949,"journal":{"name":"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE","volume":"33 1","pages":"717-739"},"PeriodicalIF":0.1000,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"\\\"Giocasta\\\", un volgarizzamento euripideo di Lodovico Dolce (1549)\",\"authors\":\"Pietro Montorfani\",\"doi\":\"10.1400/77085\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Venetian \\\"poligrafo\\\" and playwriter Lodovico Dolce (1508-1568), author of many tragedies and comedies inspired both from Greek and Latin sources, proposed in 1549 along with his Giocasta a new version of Euripides' Phoenician Women. Looking at the Latin translation by Doroteo Camillo Collinus (because Dolce didn't know Greek), changing the title, adding some characters and, above all, writing a text as comprehensible as possible for the Renaissance readers, he was able to produce a tragedy typical of the Mid-Sixteenth Century in Italy, where the Classical heritage is ingrained in the memory of the first tragic attempts of the Italian Renaissance, following a \\\"canon\\\" already set by Trissino, Rucellai, Giraldi and Aretino.\",\"PeriodicalId\":55949,\"journal\":{\"name\":\"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE\",\"volume\":\"33 1\",\"pages\":\"717-739\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2006-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1400/77085\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1400/77085","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
"Giocasta", un volgarizzamento euripideo di Lodovico Dolce (1549)
The Venetian "poligrafo" and playwriter Lodovico Dolce (1508-1568), author of many tragedies and comedies inspired both from Greek and Latin sources, proposed in 1549 along with his Giocasta a new version of Euripides' Phoenician Women. Looking at the Latin translation by Doroteo Camillo Collinus (because Dolce didn't know Greek), changing the title, adding some characters and, above all, writing a text as comprehensible as possible for the Renaissance readers, he was able to produce a tragedy typical of the Mid-Sixteenth Century in Italy, where the Classical heritage is ingrained in the memory of the first tragic attempts of the Italian Renaissance, following a "canon" already set by Trissino, Rucellai, Giraldi and Aretino.