希腊新漫画片段

S. Nervegna
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引用次数: 0

摘要

“希腊新喜剧”一词传统上表示阿提卡喜剧的一个特定阶段,可以追溯到公元前4世纪末和3世纪,尽管新喜剧在帝国时期继续写作。新的喜剧把虚构的人物、家庭情景和爱情故事搬上舞台,它们的情节往往重复常见的元素。古代资料确定了60多位新喜剧诗人,并一致认为有三位剧作家是这一流派的主要代表:米南德、狄非罗斯和菲利门。米南德生于公元前342年,死于公元前290年左右;他的两个对手的传记大多不为人知,但据报道菲利门比米南德年长,而狄非罗斯是米南德同时代的人之一。与米南德不同的是,他们都出生在雅典城外。新喜剧的最佳诗人名单上又增加了两三个作家:腓力庇得斯、卡里斯托斯的阿波洛多鲁斯和波西底普斯。新喜剧诗人通常比他们5世纪的同行更多产,但他们的戏剧大部分都失传了。米南德是唯一一位喜剧得以幸存的作家,他的喜剧多亏了20世纪一系列幸运的莎草纸上的发现:我们有一部完整的喜剧《迪斯科洛斯》(Dyskolos),以及其他几部喜剧的大部分内容。其他新喜剧诗人写的戏剧只在一些纸莎草纸上保存了一些简短的片段,大多数情况下是由对语言特点或道德说教节选感兴趣的古代作家写的。希腊喜剧片段(F)和希腊喜剧诗人证言(T)的标准合集是卡塞尔和奥斯汀1983-2001 (Poetae Comici Graeci,引自版本和翻译),通常缩写为“K-A”。虽然幸存的片段通常不是很有用,但我们了解希腊新喜剧的一个重要来源是罗马喜剧。罗马诗人将精选的戏剧改编成拉丁语,经常透露剧名、作者和其他希腊模型的细节。罗马喜剧为我们提供了一个间接的途径,让我们了解到它们现在已经失传的希腊原著。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Greek New Comic Fragments
The expression “Greek New Comedy” traditionally indicates a specific phase of Attic Comedy dated to the late 4th and 3rd centuries bce, although New Comedies continued to be written well into the Imperial period. New Comedies bring onto the stage fictional characters, domestic situations, and love-stories, and their plots tend to repeat common elements. Ancient sources identify over sixty New Comedy poets and consistently name three dramatists as the main representatives of this genre: Menander, Diphilus, and Philemon. Menander was born in 342/1 and died around 290 bce; the biographies of his two rivals are largely obscure but Philemon was reportedly older than Menander while Diphilus was one of Menander’s contemporaries. Unlike Menander, they were both born outside Athens. Two or three more authors were added to the list of the best New Comedy poets: Philippides, Apollodorus of Carystus, and Posidippus. New Comedy poets were generally more prolific than their 5th-century colleagues, but their plays are largely lost. Menander is the only author whose comedies survive thanks to a series of lucky papyrus findings in the 20th century: we have one complete comedy, Dyskolos, and substantial portions of several more. The dramas written by other New Comedy poets survive only in short fragments preserved by a few papyri and, most often, by ancient authors largely interested in linguistic peculiarities or moralizing excerpts. The standard collection of the fragments (F) of Greek Comedy and the testimonia (T) for Greek comic poets is Kassel and Austin 1983–2001 (Poetae Comici Graeci, cited under Editions and Translations), which is generally abbreviated as “K-A.” While surviving fragments are typically not very informative, an important source for our knowledge of Greek New Comedies is Roman Comedy. Roman poets adapted select plays into Latin, often disclosing the titles, the authors, and other details of their Greek models. Roman comedies give us indirect access to their now lost Greek originals.
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