将代理人送到委托人办公室:经纪公司的包装和制作如何违反代理人对艺术家客户的受托责任

Q3 Social Sciences
Brian T. Smith
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引用次数: 0

摘要

摘要:在娱乐圈,艺人经纪人一直是作家、演员和其他创意工作者不可或缺的角色,他们在与老练的企业雇主打交道时为艺人客户提供独立的代理。但是,随着他们的收入从委托客户到利润丰厚的电视包装费用的历史性转变,最大的代理机构的权力和利润呈指数级增长。包装费的收入使这些机构得以将业务多样化,进入其他业务领域,并吸引了私人股本公司的外部投资,从而进一步实现了垂直整合。现在,最大的广告公司已经把目光转向了新的收入来源:通过广告公司下属的制作公司制作并拥有内容。这些创新是以代理人本应向其客户提供的独立代理为代价的。经纪公司及其附属公司的包装和制作违反了经纪公司对客户的既定信托义务,因为经纪公司将自己的利益与客户雇主的利益联系在一起。外部对这些机构的投资只会加剧这些冲突。这些对传统代理的背离破坏了《加州人才代理法案》(California Talent Agencies Act)公开宣称的目的:保护脆弱的艺术家免受经纪人的冲突行为的影响。虽然这些问题是美国作家协会和大型经纪公司之间持续不断的行业纠纷的核心,但它们的重要性应该引起所有经纪公司客户及其工会的关注。加州立法机构应该修改过时的《人才代理法案》,以列举和重申人才代理在普通法下对客户的信托义务,并防止对该州最大和最重要的行业之一的创意工作者的法律保护受到侵蚀。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients
Author(s): Smith, Brian T. | Abstract: Talent agents have always been indispensable to writers, actors, and other creative workers in the entertainment industry, providing independent representation to their artist-clients in dealings with sophisticated corporate employers. But following a historical shift in their revenues from commissioning clients to lucrative television packaging fees, the power and profits of the biggest agencies grew exponentially. Revenues from packaging fees allowed these agencies to diversify into other businesses and attracted outside investment by private equity firms leading to further vertical integration. Now, the largest agencies have turned their eye toward a new revenue stream: producing and owning content through agency-affiliate production companies. These innovations have come at the cost of the independent representation agents are supposed to provide their clients. Packaging and producing by talent agencies and their affiliates breach the well-established fiduciary duties agents owe their clients under the law by aligning the agency’s own interests with the interests of its clients’ employers. Outside investment in the agencies only exacerbates these conflicts. These departures from traditional agenting undermine the avowed purpose of the California Talent Agencies Act: to protect vulnerable artists from the conflicted practices of their agents. While these issues are at the heart of the ongoing industry dispute between the Writers Guild of America and the big agencies, their importance should concern all agency clients and their unions. The California Legislature should amend the outdated Talent Agencies Act to enumerate and reaffirm the fiduciary duties talent agents owe their clients under common law and prevent the erosion of legal protections for creative workers in one of the state’s largest and most important industries.
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