克拉斯诺亚尔斯克艺术家作品中克拉斯诺亚尔斯克地区的民族文化动态

Antonina I. Fil’ko, Yulianna Avdeeva, A. Kistova, N. Pimenova, N. N. Robachevskaya
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引用次数: 5

摘要

本文从艺术实践的角度分析了克拉斯诺亚尔斯克地区民族文化动态的原创性。从17世纪初到21世纪初,居住在克拉斯诺亚尔斯克边疆区的各民族的总体动态。同时,在这种动态的框架内,确定了前苏联、苏联和后苏联三个阶段。给出了在选定时期工作的克拉斯诺亚尔斯克艺术家的创造力的一般特征。在哲学和艺术史分析的框架内,d.i.k aratanova, Yu。P. Ishkhanov和S. E. Anufrieva作为每个时期最具代表性的人物,同时考虑到各种形式(绘画,雕塑和陶瓷)的创造力,被选中并进行了详细的研究。因此,这些作品最清楚地反映了生活在这些地区的人的变化,以及他/她与自然和历史根源的关系
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnocultural Dynamics of the Krasnoyarsk Territory in the Works of Krasnoyarsk Artists
The article analyzes the originality of the ethnocultural dynamics of the Krasnoyarsk Territory in the context of artistic practice. The general dynamics of ethnic groups inhabiting the Krasnoyarsk Krai from the early 17th century to the early 21st century is shown. At the same time, within the framework of this dynamics such stages pre-Soviet, Soviet and post-Soviet were identified. A general characteristic of the creativity of Krasnoyarsk artists who worked in the selected periods is given. Within the framework of the philosophical and art history analysis, the works of D. I. Karatanova, Yu. P. Ishkhanov and S. E. Anufrieva as the most representative for each period and, at the same time, allowing to consider creativity in its various forms (painting, sculpture and ceramics) were selected and studied in detail. As a result, it was concluded that these works most clearly reflect the changes of a person living in these territories and his/her relationship with nature and historical roots
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