自闭症谱系障碍中的媒介接触:从物质到数字

IF 2.6 0 PHILOSOPHY
Lucy Osler
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引用次数: 0

摘要

自闭症谱系障碍(ASD)的研究通常将自闭症个体描述为:i)对物体世界的专注和ii)对主体世界的退缩或脱离。索菲·博尔森在她富有洞察力和说服力的文章中认为,我们不应该陷入孤立地看待客体世界和主体世界的陷阱。从她对ASD社会互动的定性和现象学研究中,Boldsen敦促我们认识到与物质对象的互动如何支撑、促进和调节ASD中不同形式的社会联系。在此过程中,ASD的“社会”和“非社会”维度之间的区别是有问题的,并且对ASD提出了一个强有力的定位和嵌入式理解。从观察和访谈数据中摘录的内容被用来说明ASD患者的社会互动是通过与物质世界的互动来调节的。Line和Helene通过对吉他的共同关注而相互接触;Ina和Viola在虚拟舞伴的引导下一起跳舞;汉娜和麦兹在玩棋盘游戏时产生了共鸣。Boldsen认为,通过参与环境的物质方面,各种社会可能性被打开;重要的是,社会的可能性较少不确定性和压倒性。Boldsen提出了物质中介调节和支撑社会互动的两种方式。首先,通过它们的感性本质,物体可以支撑社会协调和协调。例如,音乐的节奏结构是社会支持的;它使我们的身体动作与音乐同步,反过来又与其他人一起跳舞。因此,音乐提供了一个共享的结构,在这个结构中,身体的运动和调谐展开,指导和描绘何时以及如何行动。其次,Boldsen强调了对象如何使规范性规则和期望变得明确。因此,它们不仅提供了塑造空间的结构
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mediated Encounters in Autistic Spectrum Disorder: From the Material to the Digital
Research on autistic spectrum disorder (ASD) commonly describes autistic individuals as displaying: i) a preoccupation with the world of objects and ii) a withdrawal or detachment from the world of subjects. In her insightful and persuasive article, Sofie Boldsen argues that we should not fall into the trap of viewing the world of objects and the world of subjects in isolation from one another. Drawing from her qualitative and phenomenological study on social interaction in ASD, Boldsen urges us to recognize how interacting with material objects can scaffold, facilitate, and regulate different forms of social connectedness in ASD. In doing so, the distinction between the “social” and “non-social” dimensions of ASD is problematized, and a robustly situated and embedded understanding of ASD is presented. Excerpts from both observational and interview-based data are used to illustrate ways in which social interaction in ASD is mediated via interaction with the material world. Line and Helene engage with one another through their mutual attention to a guitar; Ina and Viola dance together, guided by a virtual dance partner; Hanna and Mads connect while playing a board game. Boldsen argues that through engagement with material aspects of the environment various social possibilities are opened; social possibilities that are importantly experienced as less uncertain and overwhelming. Boldsen suggests two ways in which material mediation regulates and grounds social interaction. First, through their sensible nature, objects can scaffold social co-ordination and attunement. The rhythmic structure of music, for example, is socially supportive; it entrains our bodily movements both in time with the music and, in turn, with others also dancing. As such, the music provides a shared structure in which bodily movement and attunement unfolds, guiding and delineating when and how to act. Second, Boldsen highlights how objects can make normative rules and expectations explicit. As such, they not only provide a structure which shapes the spatio-
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来源期刊
CiteScore
3.60
自引率
4.30%
发文量
40
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