{"title":"亚洲尼尔森在英国的电影贸易:在第一次世界大战之前开创了独家长片明星系列","authors":"Victor Chavez, Martin Loiperdinger","doi":"10.1080/17460654.2021.2058184","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number of film stars in the local press, provide strong evidence that Asta Nielsen was the most prominent star of the multiple-reel feature format in Great Britain before the First World War. The unrivalled number of twenty long features offered for hire by one single renting company allowed Asta Nielsen to perform the renowned versatility of her acting with considerable frequency and even in unique repertoire programme formats. While comparatively high numbers of OCR hits are not synonymous with popularity, trade paper notes and local cinema ads allow heuristic conclusions on her popularity, at least in certain circumstances. Because she was promoted as a Scandinavian actress who was not bound to any production company, the German provenance of her multiple-reel features was quite unknown: thus, screenings of Asta Nielsen films which had been released before the war did not stop during the 1914–15 season.","PeriodicalId":42697,"journal":{"name":"Early Popular Visual Culture","volume":"460 1","pages":"149 - 174"},"PeriodicalIF":0.1000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War\",\"authors\":\"Victor Chavez, Martin Loiperdinger\",\"doi\":\"10.1080/17460654.2021.2058184\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number of film stars in the local press, provide strong evidence that Asta Nielsen was the most prominent star of the multiple-reel feature format in Great Britain before the First World War. The unrivalled number of twenty long features offered for hire by one single renting company allowed Asta Nielsen to perform the renowned versatility of her acting with considerable frequency and even in unique repertoire programme formats. While comparatively high numbers of OCR hits are not synonymous with popularity, trade paper notes and local cinema ads allow heuristic conclusions on her popularity, at least in certain circumstances. Because she was promoted as a Scandinavian actress who was not bound to any production company, the German provenance of her multiple-reel features was quite unknown: thus, screenings of Asta Nielsen films which had been released before the war did not stop during the 1914–15 season.\",\"PeriodicalId\":42697,\"journal\":{\"name\":\"Early Popular Visual Culture\",\"volume\":\"460 1\",\"pages\":\"149 - 174\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Popular Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17460654.2021.2058184\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Popular Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17460654.2021.2058184","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War
ABSTRACT This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number of film stars in the local press, provide strong evidence that Asta Nielsen was the most prominent star of the multiple-reel feature format in Great Britain before the First World War. The unrivalled number of twenty long features offered for hire by one single renting company allowed Asta Nielsen to perform the renowned versatility of her acting with considerable frequency and even in unique repertoire programme formats. While comparatively high numbers of OCR hits are not synonymous with popularity, trade paper notes and local cinema ads allow heuristic conclusions on her popularity, at least in certain circumstances. Because she was promoted as a Scandinavian actress who was not bound to any production company, the German provenance of her multiple-reel features was quite unknown: thus, screenings of Asta Nielsen films which had been released before the war did not stop during the 1914–15 season.