{"title":"“你”和“你”,嘴唇和朝圣者翻译罗密欧与朱丽叶的“共享十四行诗”:一个动手的视角","authors":"A. Ignat, Alexandru M. Călin","doi":"10.2478/abcsj-2019-0003","DOIUrl":null,"url":null,"abstract":"Abstract It is not a recent discovery in the field of language history that the address pronouns thou and you were not, in Shakespeare’s time, used indiscriminately. If the speaker did have a choice between the two forms, that choice was by no means random, idiosyncratic or arbitrary, but always dictated by the social, relational or attitudinal context of a speech act. Nonetheless, all 20th-century Romanian translations of Romeo and Juliet (and of other Shakespearean plays) – from Haralamb Leca’s rather loose rendering (1907) to Ștefan-Octavian Iosif’s and to Virgil Teodorescu’s more refined versions (1940 and 1984, respectively) – seem to ignore the difference in associative meaning between the two forms, which is sometimes essential for a correct assessment of the relationships between characters. The latest Romanian translation of the play, which we have jointly submitted for publication within the Shakespeare for the Third Millennium project (William Shakespeare. Opere XIII, 2018) acknowledges the importance of the various associative meanings that the two pronouns carry and strives to restore these meanings to the text, though not without difficulty, given the rather restrictive form of the original, i.e. iambic pentameters, often with strict rhyme schemes. Thus, focusing on the well-known “shared sonnet” as one of the most relevant instances of pronoun alternation in the play, our paper discusses the uses of you and thou in Early Modern English and sets out to assess how much is lost in 20th-century translations, to show how our own translation restores the associative meanings of the two pronominal forms and finally to exemplify how we managed to overcome translation difficulties entailed by the metrical and stylistic demands of the text.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"59 1 Pt 1 1","pages":"20 - 35"},"PeriodicalIF":0.1000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Of “You” and “Thou,” Lips and Pilgrims in the Translation of Romeo and Juliet’s “Shared Sonnet”: A Hands-On Perspective\",\"authors\":\"A. Ignat, Alexandru M. Călin\",\"doi\":\"10.2478/abcsj-2019-0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract It is not a recent discovery in the field of language history that the address pronouns thou and you were not, in Shakespeare’s time, used indiscriminately. If the speaker did have a choice between the two forms, that choice was by no means random, idiosyncratic or arbitrary, but always dictated by the social, relational or attitudinal context of a speech act. Nonetheless, all 20th-century Romanian translations of Romeo and Juliet (and of other Shakespearean plays) – from Haralamb Leca’s rather loose rendering (1907) to Ștefan-Octavian Iosif’s and to Virgil Teodorescu’s more refined versions (1940 and 1984, respectively) – seem to ignore the difference in associative meaning between the two forms, which is sometimes essential for a correct assessment of the relationships between characters. The latest Romanian translation of the play, which we have jointly submitted for publication within the Shakespeare for the Third Millennium project (William Shakespeare. Opere XIII, 2018) acknowledges the importance of the various associative meanings that the two pronouns carry and strives to restore these meanings to the text, though not without difficulty, given the rather restrictive form of the original, i.e. iambic pentameters, often with strict rhyme schemes. Thus, focusing on the well-known “shared sonnet” as one of the most relevant instances of pronoun alternation in the play, our paper discusses the uses of you and thou in Early Modern English and sets out to assess how much is lost in 20th-century translations, to show how our own translation restores the associative meanings of the two pronominal forms and finally to exemplify how we managed to overcome translation difficulties entailed by the metrical and stylistic demands of the text.\",\"PeriodicalId\":37404,\"journal\":{\"name\":\"American, British and Canadian Studies\",\"volume\":\"59 1 Pt 1 1\",\"pages\":\"20 - 35\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American, British and Canadian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/abcsj-2019-0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American, British and Canadian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/abcsj-2019-0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Of “You” and “Thou,” Lips and Pilgrims in the Translation of Romeo and Juliet’s “Shared Sonnet”: A Hands-On Perspective
Abstract It is not a recent discovery in the field of language history that the address pronouns thou and you were not, in Shakespeare’s time, used indiscriminately. If the speaker did have a choice between the two forms, that choice was by no means random, idiosyncratic or arbitrary, but always dictated by the social, relational or attitudinal context of a speech act. Nonetheless, all 20th-century Romanian translations of Romeo and Juliet (and of other Shakespearean plays) – from Haralamb Leca’s rather loose rendering (1907) to Ștefan-Octavian Iosif’s and to Virgil Teodorescu’s more refined versions (1940 and 1984, respectively) – seem to ignore the difference in associative meaning between the two forms, which is sometimes essential for a correct assessment of the relationships between characters. The latest Romanian translation of the play, which we have jointly submitted for publication within the Shakespeare for the Third Millennium project (William Shakespeare. Opere XIII, 2018) acknowledges the importance of the various associative meanings that the two pronouns carry and strives to restore these meanings to the text, though not without difficulty, given the rather restrictive form of the original, i.e. iambic pentameters, often with strict rhyme schemes. Thus, focusing on the well-known “shared sonnet” as one of the most relevant instances of pronoun alternation in the play, our paper discusses the uses of you and thou in Early Modern English and sets out to assess how much is lost in 20th-century translations, to show how our own translation restores the associative meanings of the two pronominal forms and finally to exemplify how we managed to overcome translation difficulties entailed by the metrical and stylistic demands of the text.
期刊介绍:
Founded in 1999, American, British and Canadian Studies, the journal of the Academic Anglophone Society of Romania, is currently published by Lucian Blaga University of Sibiu. Re-launched in refashioned, biannual format, American, British and Canadian Studies is an international, peer-reviewed journal that sets out to explore disciplinary developments in Anglophone Studies in the changing environment forged by the intersections of culture, technology and electronic information. Our primary goal is to bring together in productive dialogue scholars conducting advanced research in the theoretical humanities. As well as offering innovative approaches to influential crosscurrents in contemporary thinking, the journal seeks to contribute fresh angles to the academic subject of English and promote shape-changing research across conventional boundaries. By virtue of its dynamic and varied profile and of the intercultural dialogue that it caters for, ABC Studies aims to fill a gap in the Romanian academic arena, and function as the first publication to approach Anglophone studies in a multi-disciplinary perspective. Within the proposed range of diversity, our major scope is to provide close examinations and lucid analyses of the role and future of the academic institutions at the cutting edge of high-tech. With this end in view, we especially invite contributions in the fields of Comparative Literary and Cultural Studies, Postcolonial Theory, Area Studies, Cultural Anthropology, Language and Linguistics, Multimedia and Digital Arts, Translation Studies and related subjects. With its wide subject range, American, British and Canadian Studies aims to become one of the academic community’s premium scholarly resources.