机械玩具:菲利普·西德尼爵士和歌词

Q1 Arts and Humanities

Spenser Studies Pub Date : 2020-01-01 DOI:10.1086/706604

R. Kuin

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引用次数: 0

摘要

本文以戏谑和严肃的口吻，通过对《牧歌第一曲》中Lalus和Dorus的歌唱比赛以及Strephon和Klaius的双重表演的深入讨论，探讨了Sidney使用“玩具”一词来描述其抒情诗的目的、艺术性和美学力量。仔细考虑西德尼诗句的技术精湛及其可能的来源，导致了对抒情的独特模式唤起美德和卓越的争论。

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Mechanical Toys: Sir Philip Sidney and the Lyric

In a tone both playful and serious, this essay explores Sidney’s use of the term “toy” to describe the purpose, artfulness, and aesthetic force of his lyric poems through an extended discussion of the singing match between Lalus and Dorus in the First Eclogues and the double sestina of Strephon and Klaius. A careful consideration of the technical virtuosity of Sidney’s verse and its possible provenance leads to an argument for the lyric’s distinctive modes of evoking virtue and excellence.

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来源期刊

Spenser Studies Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

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