“Who Knows What We’d Make of It, If We Ever Got Our Hands on It?” The Bible and Margaret Atwood ed. by Rhiannon Graybill and Peter J. Sabo (review)

Abstract:This essay reconsiders the view of George Eliot as the vanguard secular novelist through the tension between her early, yet sustained, commitment to the evangelical belief that joy is a providential reward for suffering and the later complications as she depicted a world appearing to lack divine justice or mercy, without promise of an afterlife. I argue that the novel Adam Bede is not a humanist translation of Christian doctrine but a revision of theodicy both from within and from without Christian tradition, representing the mystery of “human sorrow” and suffering as embodied in Jesus Christ. The novel works through to a belief that such suffering awaits all, rather than some, created beings and to the conviction that joy will never banish suffering — that it co-exists with it, taking the form of love. This revision preserved the Christian primacy of suffering while seeking to equalize it and face its demands.