塞内加的《费德拉、提耶斯忒斯和特洛伊女人》中的媒介和信使

IF 0.1 3区历史学 0 CLASSICS

PHILOLOGUS Pub Date : 2022-02-01 DOI:10.1515/phil-2023-0100

Claire Catenaccio

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引用次数: 0

摘要

塞内加的信使演讲语言将先前的意象模式集中到怪诞的暴力行为中。在《费德拉》、《提耶斯忒斯》和《特洛伊女人》这三部悲剧中，一个匿名信使的报告主导了整部戏剧。这三个场景都描述了可怕的死亡:《费德拉》中希波吕托斯被钉在树干上，《提耶斯忒斯》中阿特鲁斯屠杀他的侄子，《特洛伊女人》中屠杀阿斯提亚纳克斯和波利克西娜。在描绘暴力时，这些传话者重新利用了早期场景中建立的语言，以实现和扭曲每部戏的主导主题:扭曲的性，食欲和道德解体。

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The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women

Abstract The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies – Phaedra, Thyestes, and Trojan Women – the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in Phaedra, Atreus’ butchering of his nephews in Thyestes, and the slaughter of Astyanax and Polyxena in Trojan Women. In portraying violence, these messenger speeches repurpose language established in earlier scenes to realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution.

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来源期刊

PHILOLOGUS CLASSICS-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Die Beiträge behandeln Probleme der griechischen und lateinischen Literatur, Geschichtsschreibung, Philosophie, Religionsgeschichte und Linguistik sowie ihrer Rezeption und der Wissenschaftsgeschichte. Ziel der Zeitschrift ist es, einen Beitrag zur Erhellung der geistigen Kultur der Antike und ihrer Wirkungsgeschichte zu leisten. "Philologus" is one of the oldest and most respected periodicals in the field of classical studies. Its articles investigate Greek and Roman literature, historiography, philosophy, history of religion, linguistics, and history of science. The journal contributes to reconstructing and understanding ancient intellectual culture and its lasting influence on European civilization.