萧琪·别再诗中的骈体:文体研究

Mahdi Awwad Alshamout
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引用次数: 0

摘要

本研究探讨黎巴嫩诗人Shawqi Bazie的一首诗《Marthiyatul Ghubar》(阿拉伯语为哀悼尘埃)中的平行现象。它还将结构和其中包含的重复联系起来,以及这种平行所产生的修辞关系,即试图将诗歌的形成与诗歌的视觉联系起来。研究强调,《尘丧》包含了多种形式的平行,这些平行不仅仅是为了完成演讲,而是为诗人的愿景、思想和信仰服务。研究还得出结论,语音和句法的平行是诗歌中最常见的。诗人关注的是平行,特别是,他想说什么,把解释的领域留给读者,因此他想要一个批判性思维的读者,而不是一个中立的,不深入挖掘文本或与之互动的读者。诗人希望他的想法能流传下去,并让其他人相信它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Parallelism in the Poetry of Shawqi Bzaie: A Stylistic Study
this research discusses parallelism in Marthiyatul Ghubar (Arabic for Mourning of Dust) a poem by the Lebanese poet Shawqi Bazie. It also links between the structure and the repetition contained therein, as well as the intended rhetorical relationship resulting from that parallel, i.e. an attempt to link poetic formation with poetic vision. The research highlights that the Mourning of Dust contains many forms of parallelism that are not just a filler to complete the speech, but rather serve the poet's vision, ideas, and beliefs. The research also concludes that the phonetic and syntactic parallels are the most present in the poem. The poet focuses on parallelism, in particular, to say what he wants leaving the areas of interpretation open to the reader, and he thus wants a critical thinking reader, not a neutral one who does not dig into the text or interact with it. The poet wants his idea to last and for other people to believe in it.
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