专业音乐学科的远程学习:问题与解决途径

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
V. Hromchenko
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摘要

本文从专业训练学科即“合奏”和“专课”的角度出发,探讨了远程教育形式中最实际的问题。笔者认为,与重点音乐学科相关的远程教育形式问题,最大限度地体现了其实践性,在一般(同时)表演行为的专业交际感觉中,在音乐家演奏器具的发展和关联过程中,在艺术音乐表现手段即音色和声音攻击的特殊性的听觉理解中,都有表现。乐器(人声)声音的特点和发音,强烈和动态。介绍当代教育过程中混合主题综合学习的重要性,特别是远程和全日制教育形式的综合。这种互动必须在训练曲目中有学术音乐作品独奏,专业音乐作品是由职业作曲家写的,只演奏一个表演者-独奏者(器乐演奏家,歌手)。有必要强调的是,保持创造性艺术实践质量高水平的最积极,最有效的方式,音乐课程进入特殊类别(管木和铜管,鼓,声乐,弓弦,拨弦专业)是当代教育音乐家对学术作品的创造性呼吁,这些作品是作者以独奏形式写的,即对只表演一位艺术家的杰作的称呼独奏家。这些学院派舞台单曲在艺术上是自给自足的,同时,这类作品是由音乐家在没有钢琴的情况下演奏的。音乐独奏作品以作曲家的才华、艺术思想的力量吸收了极具潜力的艺术表现可能性,音准发声是指一种或另一种乐器(声音)——和弦发声(单音乐器)、微音程(微音阶)、声音振荡、四槌演奏、隐藏复调等。这种类型的作品(音乐独奏)将为学生的实践提供艺术表现手段的远程专业发展,形成学生独立的艺术想象思维,以及培养当代学生的学术合奏技能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Distance learning for specialized musical disciplines: problems and the ways of solution
The scientific article is devoted the investigation of the most actual questions concerning distance educational form into the light of the specialized training disciplines a namely „Ensemble” and „Special class”. The author has approved that the problem of distance educational form in relation to underlined musical subjects is maximally indicated their practical nature, what have had presentation in the professional communicative sensation of general (simultaneous) performing act, in the process for development and correlation of musician's performing apparatus, in detail-hearing comprehension of particularity for artistic musically-expressive means a namely timbre and attack of sound, traits and articulation, strong and dynamic of instrument (vocal) sounding. The importance of introduction to the contemporary educational process the mixed thematic-integrated learning, specifically the synthesis of distance and full-time educational forms. This interaction must be in the presence of academic musical compositions solo at the training repertoires, specialized musical pieces that were written by vocational composer for playing only one performer-soloist (instrumentalist, vocalist). It is necessary to emphasize that maximally active, result way for keep qualitative high level of creatively artistic practice, musical lessons into the special class (wind wood and brass, drums, vocal, string-bowed, string-plucked specializations) is creative appeal of contemporary pedagogue-musicians to the academic compositions, that were written by authors in to performing form solo, namely the address to masterpieces for performing only one artist-soloist. These academic stagesingle musical pieces are artistically self-sufficient, at the same time, this kind compositions are performed by musician without fortepiano. The pieces of music solo absorb by the power of composer's talent, artistic thoughts the excellently most potential of artistically expressive possibilities, intonation sounding means one or another instrument (voice) - chord sounding (monophonic instruments), microinterval (microchromatics), sound oscillation, playing with four mallets, hidden polyphony and others. This type of compositions (music solo) will be giving the distance professional development of artistically expressive means for student's practice, the formation of independence concerning artistically imaginative thinking of pupils, as well as the upbringing of academic ensemble performing skills among contemporary students.
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