邪教形象与宗教民族学:欧洲人对中世纪亚洲的探索和新偶像宗教的发现

IF 0.1 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
M. Bacci
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引用次数: 3

摘要

在13世纪和14世纪的蒙古帝国探险中,西方商人和传教士第一次与过去几乎完全未知的民族和文化传统进行了接触。出乎意料的是,印度教、佛教和道教使用宗教图像的一些特征被证明与西方的做法非常相似,这表明欧洲和远东的虔诚习惯之间有一种亲近感。这种感觉至少依赖于三个重要问题:首先,三维雕像的广泛使用(而不是像基督教东方那样的圣像)吸引了西方人的想象力;其次,他们被远东宗教使用的复杂而高度发达的图像代码所震撼;第三,他们明白亚洲的“偶像崇拜者”和基督教一样,认为神圣的形象是一个更古老的原型的再现,是一个真实的、原始的,甚至是一个“继承者”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cult-Images and Religious Ethnology: The European Exploration of Medieval Asia and the Discovery of New Iconic Religions
In their exploration of the Mongol Empire during the thirteenth and fourteenth centuries, Western merchants and missionaries experienced for the first time the contact with peoples and cultural traditions which had been almost completely unknown in the times past. Unexpectedly, some features of the Hindu, Buddhist, and Taoist use of religious images proved to look quite similar to Western practices and contributed to suggest a feeling of affinity between European and Far Eastern devotional habits. Such a feeling relied on at least three important issues: first of all, the widespread use of three-dimensional statues (instead of icons, as in the Christian East) caught the Westerners’ imagination; second, they were struck by the complex and highly developed iconographic code employed by the religions of the Far East; third, they understood that the “idolaters” of Asia shared the Christian conception of the sacred image as a reproduction of a much older archetype, being an authentic, original, or even “acheir...
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来源期刊
Viator - Medieval and Renaissance Studies
Viator - Medieval and Renaissance Studies Arts and Humanities-History
CiteScore
0.20
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