杜嘉班纳广告中种族主义的表现

R. Kusumastuti, Alfonsius Hasiholan, Emir Mirza
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引用次数: 0

摘要

Petty(2002)在他的文章中指出,广告应该负责能够发挥积极和有用的作用。本研究旨在运用罗兰·巴特的符号学分析模型,分析Dolce & Gabbana: DG Loves China广告中包含的种族主义元素。在本研究中,研究者采用探索性描述性研究与定性研究相结合的方法。描述性研究的目的是描述某种症状。在操作上,本研究采用符号学方法对研究对象进行分析。本研究的对象是Dolce & Gabbana: DG LOVES CHINA视频广告。根据罗兰·巴特方法的分析,杜嘉班纳:DG爱中国的广告代表了种族主义,因为其中有一些元素被认为是贬低中国人继承的饰品,而这些饰品被认为是重要的,对中国人有特殊的意义(Ban & Lovari, 2021)。在内涵上,Dolce & Gabbana: DG Loves China广告通过一个华裔模特的出场,在观众的解读中呈现出种族主义的表现,冒犯了华人族群。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of Racism In Dolce & Gabbana Advertising
Petty (2002) in his article states that an advertisement should be responsible for being able to play a positive and useful role. This study aims to analyze an advertisement that represents the elements of racism contained in the Dolce & Gabbana: DG Loves China advertisement, using Roland Barthes' semiotic analysis model. In this study, the researcher used exploratory descriptive research with a qualitative approach. Descriptive research aims to describe a certain symptom. Operationally, this research uses the semiotic method to analyze the research object. The object of this research is the Dolce & Gabbana: DG LOVES CHINA advertisement in video ad format. Based on an analysis using the Roland Barthes method, the Dolce & Gabbana: DG Loves China advertisement represents racism because there are elements that are considered to be degrading the ornaments inherited by the Chinese people which are considered important and have special meaning for the Chinese people (Ban & Lovari, 2021). In connotation, the advertisement for Dolce & Gabbana: DG Loves China, by showing a model with a Chinese ethnic background, offends the Chinese ethnicity with representations of racism interpreted by the audience.
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